Word: remixers
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Dates: during 2000-2009
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...show that the nation-state is, at least in part, a cinematic creation. He has yet to begin work on the second installment, which will grapple with Leni Riefenstahl’s 1934 Nazi propaganda picture Triumph of the Will. The third part, he said, will most likely remix French filmmaker Abel Gance’s intensely patriotic Napoleon...
...video game…It’s pretty much along the same lines. Media literacy is the common denominator, I’m just focusing on the way to connect the dots between all of these disparate situations—I guess you could say my remix is about a kind of visual politics of sound. And that’s the order of the day in our media ecology...
...remix will be the 21st century equivalent of what Walter Benjamin referred to in his classic essay “The Work of Art in the Age of Mechanical Reproduction”—but with a twist—it’s all all about digital copies, so the cultural operating system is whatever you feel like downloading. The rest is like Amiri Baraka said so long ago—all about the “changing same.” The Beats of the 20th century—William S. Burroughs “cut-up?...
...there’s plenty of people doing cool multi-media remix stuff—eclectic method from the U.K. are some of my faves, Hexstatic, Panoptic, Eyewash... there’s lots. There’s even multi-media school programs cranking out film directors who are doing multi-media. This is pretty much just the beginning...
...image. Plus there’s the whole idea of ambient cinema. I come out of a tradition of collage—Harry Smith, Marcel Duchamp, Charles Ives, all European/Anglo American traditions, meet stuff like GrandMaster Flash, Afrika Bambaata and the Bomb Squad that produced Public Enemy. Plus I remix old blues records for the show as well. The idea is to apply DJ technique to cinema, but to keep things well chilled...