Search Details

Word: remixers (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
Sort By: most recent first (reverse)


Usage:

...ambush marketing," is trying instead to reinvent soccer. Scorpion Knockout is the futuristic, pared-down game played by 24 stars like Thierry Henry, Luis Figo and Fredrik Ljungberg in an expensive - reportedly $14.5 million - three-minute commercial that has been airing since April. In the ad, to a thumping remix of Elvis Presley's A Little Less Conversation (A Little More Action), soccer's leading mercenaries compete in a secret tournament under special rules. In it, soccer becomes a game of trick shots, small goals and fancy footwork - oddly like basketball (which, despite Nike's $155 million spend this year...

Author: /time Magazine | Title: Somebody's Knocking My Dreamboat | 6/2/2002 | See Source »

Among people who enjoy rap and classic literature it's de rigueur to compare P. Diddy to Jay Gatsby. Both are shadily operating New Yorkers short on charisma and long on cash and shallow dreams. Both also know how to throw a party, and We Invented the Remix is one extravagant hip-hop do. The guest list is perfectly balanced--Ghostface Killah and Black Rob growl for hard-core fans; Mary J. Blige and Ashanti sing soft hooks for the ladies--and shows off Diddy's ability to turn any source material into a danceable groove. He still...

Author: /time Magazine | Title: Music: We Invented The Remix | 5/27/2002 | See Source »

Considering the low-profile release of his debut album, Richard Morel has surprisingly hefty credentials. A former engineer for U.S. house auteurs Deep Dish, he’s gone on to remix the likes of Depeche Mode and New Order. Queen of the Highway, then, is intended as his claim to fame, or at least musical autonomy. Apparently designed to showcase the breadth of his abilities, it sets mid-tempo guitar numbers and downtempo head-nodders next to the progressive house for which he’s best known...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITER | Title: New Music | 2/15/2002 | See Source »

...gaining a significant underground following, success in the mainstream still took several years for Deep Dish to achieve, especially in what they called the “cheesy” clubs of Washington. Their first production credit came with the 1992 Moods album A Feeling, followed by their first remix in 1993 of Angela Marn’s “Slippin and Slidin.” Only in 1998 did Deep Dish achieve international prominence with their critically acclaimed debut album, Junk Science. Over the past five years, Deep Dish have remixed the world’s hottest artists?...

Author: By Stanley P. Chang, CRIMSON STAFF WRITER | Title: Deep Dish, No Cheese | 2/8/2002 | See Source »

...Gimme” and “High Post Brotha,” which benefit from an incisive cameo by Common, both showcase a talent for toying with the nuances of electronic music that was only hinted at on the previous album (though the dance remix of “He Loves Me” seems pretty pointless). “Gimme” features Scott wailing the title like a demented but funky child, to great effect, while her backing singers echo the demand. And not one of these songs, with the notable exception of the 11-minute...

Author: By Andrew R. Iliff, CRIMSON STAFF WRITER | Title: Is She ‘Experienced?’ | 2/1/2002 | See Source »

Previous | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | Next