Word: remixers
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...begins with Chavez sitting on a dorm room desk, bobbing his head and waving his arms to the remix, while Fang, Mao, and Nguyen sway arm-in-arm in the background. When Kelly croons, “You must be a football coach/The way you’ve got me playing the field,” Fang is hit in the face by a football propelled at high velocity from an unspecified source. Other highlights include Chavez downing a gallon of milk on “sippin’ on coke and rum;” Nguyen?...
...March 24, 2003, Bryan Chavez, now a junior at Duke University, approached friends Lam Nguyen and Vincent Mao, asking for assistance with a present for his then-girlfriend: an original music video to R. Kelly’s “Ignition (Remix).” “I hate to sound like something ripped out of a cheesy movie, but to be honest, all this hoopla started because of a girl,” says Chavez. Chavez rounded up Isaac Chan, John Fang, and Matt Vasievich, three other members of their crew, “6-Angst?...
...swarmy, sugar-coated chorus and failed attempt at manufactured gospel. The opening track, “Inside,” prepares us for the occasional verbosity and chronic blandness that characterizes the rest of his songs and “Never Coming Home” sounds like a remix of “Desert Rose,” with the same poppy, spacey, made-for-Jaguar commercial effects. The sad truth of Sacred Love is that it has cemented Sting’s new place in the soccer mom’s five-disc minivan changer. —Michelle...
André missteps on the instrumental “My Favorite Things,” a poorly executed drum and bass remix that leaves us dying for Coltrane’s version. But most of the time André stands unparalleled in the musical landscape. “She Lives in My Lap,” boasts live bass and watery organ against a drunken wheezing loop and André’s scratchy voice. Over jazzy brushed snares and live piano, “She’s Alive” spins a haunting...
Never mind that he reportedly bagged Madonna for a cool $10 million to hawk Gap corduroys while singing a remix of Get Into the Groove with Missy Elliott. That's all just in a day's work for imagemaker Trey Laird. The real story is that Laird's creative vision--always making an emotional connection to the consumer--has put the Gap back in the black...