Word: remixers
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...first song is a remix. In fact, it's a custom remix. The owner of the jukebox has cooked up this diddy all by himself. From the looks of the fellow, we have high expectations. He's clearly very hip. He's wearing a bright orange, Sunkist rain coat. He carries a sign that reads, 'I'm Kurt Loder's love child." Very creative...
Wait, that's the Crimson Key remix...
...albums are a good way to keep them in reach. Best of Kodo (Sony/TriStar) is a nice sampling from Kodo's previously released albums. Almost capturing the power of Kodo's live performance, these songs illustrate Kodo's range from the meditative to the sublime. Kodo: Sai-So-The Remix Project (Red Ink/Sony) is a funked-out, intelligent dance album that maintains the ritualistic feel of Kodo's drumming while sampling them into styles as different as disco-house and ambient...
...that, although successful at moments, mostly put a listener to sleep. The inability to commit to one genre even within each song leaves the listener feeling unbalanced and bored. Songs from My Funeral works well as chilled background music, but because of the lack of variety in remix styles and the constant, helpless death themes, one song can be enough. The strong female back-up vocals are underused; hints of accordion and cello-like tones add visions of intrigue, but do not last. Other pieces show signs of potential. "Black Girl" opens with banjo and actually successfully transitions to dance...
...sell downloadable music on the Web: "What the Web offers is an opportunity for the artist to go directly to the consumer." Musicians and entrepreneurs are exploring new ways of putting the technology to use. DJ Spooky recently featured his music on a deejay website that encouraged users to remix his work and e-mail the new creations to others; he's now putting the finishing touches on his own site. The California-based company Liquid Audio offers free downloads of songs by groups like Hole that self-destruct after a few days, teasing listeners to buy the whole...