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...Nous, La Liberté! (Tobis-Paris). French Director René Clair has made a brilliant attempt to do it all in one picture-comedy, romance, adventure, slapstick and satire on industry, prisons, society, the Machine Age and love. Amazingly, the film makes brilliant sense in every department, even to audiences ignorant of French. The picture opens with long rows of convicts tapping away at wooden toy horses. Two friends plan an escape. Louis (Raymond Cordy) succeeds, knocks over a bicyclist and rides victoriously into the finish of a bicycle race. He progressively masters burgher manners and the industrial system, becomes...

Author: /time Magazine | Title: Cinema: The New Pictures: May 30, 1932 | 5/30/1932 | See Source »

...newspaperman whose novel, Adams, a story of Charlie Chaplin, had some success. He joined a Paris experimental art group specializing in cinema, produced The Italian Straw Hat, The Phantom of Moulin Rouge. International success began with talking pictures (Sous Les Toits de Paris, Le Million). For all his pictures René Clair writes the story and dialog, directs, cuts and edits. He has repeatedly rejected Hollywood contracts. Says he: "Hollywood wanted me for five years. If they are happy, they keep me; if I am unhappy, I must stay. It is not good for me. ... It is more important...

Author: /time Magazine | Title: Cinema: The New Pictures: May 30, 1932 | 5/30/1932 | See Source »

...time almost a monopoly of the essentially unromantic French, still appeals strongly to their rationalizing writers. "Colette." whose books continue to be translated for a growing U. S. audience, has had her share of this national literary preoccupation. Colette-readers will recognize in the heroine of Recaptured the same Renée Neree of Renée, La Vagabonde (TIME, March 23). Renée, retired from the stage and (as she thinks and hopes) from the lists of love, at 36 finds herself leading a solitary hotel life on the Riviera. Two lovers, Jean and May, live...

Author: /time Magazine | Title: Books: Decolette | 1/11/1932 | See Source »

...magician. Last week, great music and the magnificent acting of Frida Leider carried a Chicago audience reverently through Wagner's famed Temptation Scene wherein Parsifal, purest of fools, resists and reforms her. No one denied that Frida Leider had able assistance from a good cast that included René Maison as Parsifal and Alexander Kipnis as Gurnemanz. from Maestro Egon Pollak's orchestra, from a reverent audience that had bought every one of the 75?-$4 seats.* But so well did she sing & act that most of those who saw & heard her were far more interested in Kundry...

Author: /time Magazine | Title: Music: Chicago's Parsifal | 12/28/1931 | See Source »

...stretched out 95 ft. Its Hispano Suiza engine roared with 650 h. p. Its narrow fuselage bore the legend Trait d'Union ("Hyphen"). In the cabin were short, squint-eyed Joseph Marie Lebrix, onetime flying partner (now enemy) of Dieudonné Coste; famed Aerobat Marcel Doret, and Mechanic René Mesnin. They were bound nonstop for Tokyo, 6,032 mi. away, farther than any plane had flown in a straight line. They were confident, because only a few weeks ago they had flown the Trait d'Union 6,560 mi. around a closed course for a world record...

Author: /time Magazine | Title: Aeronautics: Hyphen Dash | 7/27/1931 | See Source »

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