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...outright murder (worldwide, automobiles kill 200,000 persons a year). By Freudian analysis, it is the supreme expression of aggression in an increasingly depersonalized society. Under these circumstances, driving a car should be an urgent matter of concern for Christian moralists, contends France's Abbe Hubert Renard, and in a 306-page book entitled The Automobilist and Christian Morality, he attempts to fashion a schema of ethical principles for the Christian driver...

Author: /time Magazine | Title: Morality: Turn the Other Fender | 5/3/1968 | See Source »

...aggressive driver everywhere, Abbe Renard points out, "lets himself be guided by his instincts. He tries to enjoy to the maximum the pleasure of speed, to exalt his power, to dominate those he meets on the road." And no where is the species more homicidal than in France, whose drivers are peculiarly susceptible to "vanity, excessive impetuosity and bad manners." A recent altercation in Paris eloquently illustrates the diagnosis: annoyed when he was delayed briefly by a slow-moving panel truck, the driver of a Citroën sedan sped around it, whipped in front of it in an insulting...

Author: /time Magazine | Title: Morality: Turn the Other Fender | 5/3/1968 | See Source »

Last night the Leverett House Opera Society opened its production of "Le Renard" and "The Unicorn, the Gorgon and the Manticore." I cannot isolate an impression of the music, the dancing, or the drama. I was left only with a memory of the unity of these elements, and that is the highest praise I can give an opera...

Author: By Beth Edelmann, | Title: Operas at Leverett | 11/12/1965 | See Source »

Stravinsky's "Le Renard" is a burlesque performed by a cock, a fox, a goat, and a cat. The fox, of course, is trying to catch the cock, and the goat and the cat intervene to keep him from doing so. David Moran portrayed the cock, relying entirely on his dancing. Wesley Skinner looked like a goat, although his movements were not as successful as Moran's. Paul Magloff--the crafty, drooling "Renard"--used both his elastic body and plastic face to achieve the work's most impressive performance. The four solo vocalists sang expressivley and tunefully, though Thomas Weber...

Author: By Beth Edelmann, | Title: Operas at Leverett | 11/12/1965 | See Source »

...last two thirds of the movie offer a lower temperature and a bit more art. Flattery used for cuckoldry is the subject of the second vignette, "The Fox and the Crow." To make the acquaintance of pretty Anna Karina, Mr. Renard swells the head of her jealous husband. Miss Karina is fully clothed throughout...

Author: By Eugene E. Leach, | Title: Three Fables of Love and Maid for Murder | 10/18/1963 | See Source »

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