Word: renata
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Dates: during 1960-1969
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...Euridice, Weber's gloomily romantic Der Freischutz, and a Russian-language Boris Godunov. But the Met's first week will probably open with Aïda and Leontyne Price, and there are plans for brand-new productions by Franco Zeffirelli of Cavalleria Rusticana and Pagliacci, along with Renata Tebaldi's Tosca and a so-far-uncast La Traviata. Thereafter, apparently, except for Joan Sutherland and Marilyn Home in a new Norma, the 16 offerings will be familiar...
...Jean-Luc Godard's version of the apocalypse, will undoubtedly be reviewed at greater length when some enterprising distributor brings it to Boston; it is at once a film so brilliant and so infuriating thta it not only provokes controversy in a given audience but within any single mind. Renata Adler's answer to reconciling its disparate elements was her suggestion to walk out and have a cup of Colombian coffee during the dull parts; I really haven't got the nerve to go that far, and suggest only that you accept the film's steady degeneration after an incredible...
...generally conceded that an audience forced to watch a movie through the eyes of its main character begins to identify with that character, a point which for my money Bogdanovich disproves. Renata Adler wrote a depressing column suggesting that the audience, looking through the sniper's gunsight, wants him to hit his victims--just as the audience wants that car to sink into the swamp in Psycho although its disappearance serves only to protect nasty old Mrs. Bates. Nuts! An audience made complicit in wholesale slaughter by virtue of POV shots resists with all its might, particularly when they have...
...tradition holds that opera is not worth listening to unless conductor, orchestra, text, music and singers all work together to produce one whole art. Italians, on the other hand, are partial to individualistic vocalism that is sensually beautiful as well as expressive. This record leans toward the Italian style. Renata Tebaldi, Robert Merrill, Marilyn Home and Carlo Bergonzi are all equipped with voluptuous voices singing this perennial "singers' opera," complete with massive arias and roof-hitting dramatics. Tebaldi, the star of them all, has compensated for the loss of the famous velvet in her voice by inserting pulsating hysteria...
...replacement has never been a regular reviewer. A Bryn Mawr graduate who went on to study comparative literature at Harvard and spent a year at the Sorbonne under the tutelage of Anthropologist Claude Lévi-Strauss, Renata Adler has written wryly and perceptively on a variety of subjects in her five years with The New Yorker: literary critics, group therapy, civil rights marchers, and New Leftists. But fertile as she has been in ideas, she felt she was running out of them, and so looks forward to the rigors of daily criticism. Her taste in movies is eclective...