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Word: renata (lookup in dictionary) (lookup stats)
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Huml as played by Sam Baum '98, does not particularly deserve the audience's sympathy. Baum accentuates the self-absorption and cruelly noncommittal nature of Huml's character. Throughout the play he shows utter indifference to the pain of his wife Vlasta (Kathleen Conroy '98) and his mistress Renata (Jacquie Soohen), both of whom make the apparently unreasonable demand of a faithful relationship...

Author: NO WRITER ATTRIBUTED | Title: 'Concentration' Lacks Clear Focus | 12/12/1996 | See Source »

Cassovia was led by Renata Janusova, a 6-4 force majeur who netted 27 points in the winning cause. Vladimira Denaiskova and Tatiana Komarova tallied 20 points apiece; indeed, all three Slovaks exerted serious pressure on both Harvard's defense and the P.A. announcer's election...

Author: By Ethan G. Drogin, | Title: Euro Hoops | 11/17/1995 | See Source »

...Center Renata Janusova led the victorious visitors with 27 points. As the first player downcourt in transition for Cassovia, she managed numerous uncontested layups to blow the game open, and her overwhelming presence in the post opened holes for power forward Vladimira Dansiskova, who added 20 in the winning effort...

Author: By Dov J. Glickman, | Title: Slovakia Checks Women's Cagers | 11/17/1995 | See Source »

...from the spectacular (Irish actor Barry McGovern in I'll Go On, a mordant one-man show derived from three novels by Samuel Beckett) to the mediocre (Hans Werner Henze's tired exercise in late-'50s avant-gardism, Der Prinz von Homburg) to the risible (the washed-up soprano Renata Scotto singing the role of the Marschallin in Richard Strauss's opera Der Rosenkavalier). Still, Spoleto seems on course to become one of the nation's most important and enjoyable arts events...

Author: /time Magazine | Title: FESTIVALS: CAROLINA'S GRAND NEW OPRY | 6/12/1995 | See Source »

...desire to explain desire,". And indeed, the book is liberally sprinkled with personal anecdotes that serve to illustrate the many-faceted sensual appeal of the opera world. These range from the visual (such as Joan Sutherland's misaligned and garish lipstick on an album cover or the combination of Renata Tebaldi's ample bosom and her tight costume on the over of Aida) to the aural (Marilyn Horne singing "Mon coeur" from saint-Saen's Samson and Delilah, Anna Moffo's delivery of the single word disvelto in Verdi's Rigoletto) and even the oral (in a discussion of opera...

Author: By Jefferson Packer, | Title: The Phantoms of Opera's Divas | 2/24/1994 | See Source »

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