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...Wave hero flawlessly by shattering the image of the typical leading man. One scene shows Belmondo's character, the fugitive Michel Poiccard, staring at a poster of Humphrey Bogart for minutes on end. But Poiccard's unglamorous criminal record's appetite for sex and apathy for everything else render him the opposite of the tough-but-noble Bogart-esque hero...

Author: By Tara B. Reddy, | Title: Pantingly Passionate | 4/7/1994 | See Source »

...Edzard, not content with physical accessibilit, seeks to render As You Like It more intell normally accessible too, by setting it in the modern day. Her contemporary analogy, while imaginatively filmed and well acted, does not fit Shakespeare's play--by using an analogy at all, no matter how apt, she mistakes the reason why Shakespeare doesn't normally attract mass audiences nowadays...

Author: By Edward P. Mcbride, | Title: Movie Not As Shakespeare Liked It | 3/24/1994 | See Source »

...severed by a passing train. In a climactic scene, one horrible man, a whip-mean, pockmarked little sheriff, literally eats another horrible man, the abusive husband, whom the ladies have barbecued and served up in their restaurant as an ingenious method of disposing of the corpse. Interesting fantasy: Render the heroic women crypto-sapphic, mutilate the men, or cook them, and reduce one to unwitting cannibal. Let the one good male in the bunch be a sort of big black watchdog, faithful and sexually neutered, probably the great grandson of Big Sam in Gone With the Wind. White women loved...

Author: /time Magazine | Title: Men Are They Really That Bad? | 2/14/1994 | See Source »

Women are under-represented in business, trade, government and countless other sectors. Opportunities such as the Radcliffe Externship program, the Radcliffe Publishing course and scholarships for women all aim to redress the imbalance. Opening Radcliffe's programs to men would render their purpose moot...

Author: By Anna D. Wilde, | Title: Save Single-Sex Programs | 2/11/1994 | See Source »

Citing other documentary filmmakers, McElwee spoke about the latest trends. He said that while all documentaries rely on "questioning what's objective,....academically, documentaries have been expected to render an objective accounting of reality in some way." Although he doesn't think there is "as much experimentation in nonfiction films as there should be," McElwee believes that this "objective" concept of the documentary is changing. "People are branching out while still relying upon an experience in reality intersected with the camera." "First," he says there was the "movement of cinema verite with people like [Harvard professors] Robert Gardner and Alfred...

Author: By George W. Winborn, | Title: Ross McELwee | 2/10/1994 | See Source »

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