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...There is, however, a mind-reading machine that certain doctors and nurses can use in cases like Charlene's and Jacob's. Its use is frowned upon by many in administrative positions and specific measures to render these machines useless, most notably long forms, committee meetings and menu-driven care algorithms, are being implemented with increasing ferocity. It is only this machine that can make rational and humane treatment decisions for the suffering though. It is, in fact, only this machine which suffers. See past the ones that beep and blink; the mind remains our most important machine in medicine...
...Filonov's analytical art wasn't about mere technique. He took up Leonardo da Vinci's belief that an artist should be more than just a mirror that "reflects objects without having any knowledge of them." Filonov wanted to perceive and render the inner nature of things rather than their external appearances. The artist's real objective, as Kruchenykh put it, was "to see through the world." To achieve that, Filonov wrote to a young colleague back in 1940, "An artist must be a thoroughly educated analyst and researcher...
...individual technique: when he dabbled in Cubism, as in his Flowers of the World Blooming (1915), he did so like no one else. "Picasso was preoccupied in Cubism with finding forms and artistic language to render an object," maintains Avtonomova. "Filonov's concern was that object's philosophical core." She sees Filonov as an artist-scholar who first defines a key idea, then gears his vision, palette and expression to that idea...
...loudspeaker that the No. 1 Detention House had been placed under military control. ''Some of you have not confessed,'' he said. ''The policy of our Great Leader Chairman Mao is 'Lenient treatment for those who confess, severe punishment for those who remain stubborn and reward for those who render meritorious service by denouncing others.' Tonight we will deal with some of the outstanding cases here.'' Then he called out one name after another of prisoners sentenced to death because they had not confessed their crimes. With each name the man / shouted at the top of his voice: ''Take...
...moment of recklessness, Buford, a journalist with no culinary training, became a kitchen slave--his words--to Mario Batali. It takes a big talent to render in words the animal, essentially anti-verbal experience of eating. It takes a big man to describe the hilarious humiliations to which an apprentice chef is subjected. Buford is both. He's also lucky: the brilliant, insatiable, demonic Batali is the kind of character writers sell their souls...