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...been documented. But Grey says he believes "hundreds" of others have not been identifed. In interviews, former CIA agents who had worked in the renditions program told Grey the numbers of renditions were "in the low hundreds." Goss told the Senate Intelligence Committee in February last year that with rendered prisoners, "once out of our control, there is only so much we can do" to avoid torture. Goss, who near the end of his CIA tenure led an agency crackdown on leaks and fired an agent for being one of the sources for the Washington Post's reporting...
...Rent,” which he and the creative talent make a poor effort to emulate here: Rob is whiny and angsty and lives in Brooklyn; he might as well have AIDS. Chase’s voice and stage presence is entirely generic, but the writers render him impotent by lobbing off Rob’s most important lines. Never once does Rob utter the underlying philosophy of Hornby’s work: “Did I listen to pop music because I was miserable? Or was I miserable because I listened to pop music...
Elizabeth becomes a deeply flawed but sympathetic woman unable to make the decisions to properly lead the state. Frears structures the piece like a trial, allowing the viewer to render his own verdict from pieces that can lead to only one conclusion. Henri Matisse used to use a similar device of leaving details blank for the viewer to fill-in mentally, thus creating a more personal and powerful connection than the complete canvas could have achieved...
...drew cartoons for an off-campus magazine and drank with the Sydney Push, a group of young swells that included future writers Germaine Greer and Clive James. "I would sport a black beret," he recounts, "and wear a black duffel coat over a black turtleneck sweater, which would render me indistinguishable, I thought, from leading existentialists like Albert Camus." One day the magazine's editor fired the art critic, pointed at Hughes and yelled, "You're the cartoonist. You ought to know something about art. Good. Well, now you're the f__ing art critic." Hughes, in fact, knew little...
...crowded and impersonal than they might otherwise be. Literature and Arts B-11, “The Art of Film,” for example, drew upwards of 700 students to its first meeting (and ended up having to cut 500). Many Core courses are so big that they render any meaningful discussion during lecture essentially impossible. Thankfully, a back channel exists. During shopping period, Dean of the College Benedict H. Gross ’71 and Dean of the Faculty Jeremy R. Knowles managed to speed up the process, pushing through Humanities 10, 12, and 16 as Literature...