Word: renders
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Tragedy is inescapabble in Annie Proulx's unforgiving environments: the simple concurrences of wind and rain, cold and distance, render experiences unthinkably abhorrent and the crushingly sad not only possible but inevitable. She locates her stories, like her novels, in places where the difficulty of survival makes people poor and hard: Close Range: Wyoming Stories, Proulx's first collection of short stories in more than ten years, echoes 1988's collection Heartsongs in its unwavering gaze at human tragedy in nature's liminal spaces, where no quarter is asked and none given by protagonist, nature or narrator. It is this...
...large. Thus Marilyn Manson is responsible for asocial behavior, NWA is to blame for violence against the police, and a host of pop musicians are the propagators of heroin chic. Few musical movements "represent" anything, for the sheer volume of commercial production in any one genre tends to render the offhand or nonchalant stereotype misinformed or misplaced...
...think it will work great, but he will render his final opinion," Murphy said...
...tired. Until they start making ice cream flavors in Postmodern Pistachio Pastiche, this headlong rush to reassemble everything from its self-conscious rubble can still be stomached. Put postmodernism in your mouth and you'll find it's indigestible. Thankfully, and refreshingly, kitsch-pop masters Pizzicato Five can still render postmodernism an enjoyably tasteful joy ride. They trip through safe and smiley TV-land in a jalopy heap slapped together from '60s and jap pop, hip hop beats, funk threads, classical samples, bossa nova riffs and exotica, running on smooth easy-listening gas. Maki Nomiya and Yasuharu Konishi blend...
...tired. Until they start making ice cream flavors in Postmodern Pistachio Pastiche, this headlong rush to reassemble everything from its self-conscious rubble can still be stomached. Put postmodernism in your mouth and you'll find it's indigestible. Thankfully, and refreshingly, kitsch-pop masters Pizzicato Five can still render postmodernism an enjoyably tasteful joy ride. They trip through safe and smiley TV-land in a jalopy heap slapped together from '60s and jap pop, hip hop beats, funk threads, classical samples, bossa nova riffs and exotica, running on smooth easy-listening gas. Maki Nomiya and Yasuharu Konishi blend...