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...others, who "were constantly in warfare with their neighbors," were unable to represent the figures on the tests accurately, she says, because continual danger and fear alters brain function and makes the artists unable to render human faces accurately...

Author: By Renee J. Raphael, CONTRIBUTING WRITER | Title: Professor Links Cave Paintings to Illiteracy | 4/21/1998 | See Source »

...that had convinced Jaboti of her turtlehood when she was too young to know the truth. Despite her attempts to provide a rational explanation of Jaboti's surreal biography, though, Harlan's mother cannot help but be nervous about the influence of this story, worrying that such fantasy might render Harlan unable "to tell the truth from the truth...

Author: By Carla A. Blackmar, CONTRIBUTING WRITER | Title: Of Turtles and Women: Jones' `The Healing' Presents a Jolting Tale | 4/17/1998 | See Source »

...great 19th century French realist Gustave Courbet once said that an artist ought to be able to render something--a distant pile of sticks, say, in a field--without actually knowing what it was. The hyperrealist Chuck Close has gone one better than that. In 1971 he painted the face of his father-in-law Nat Rose. The huge, minutely detailed likeness was bought by a Maryland collector who lent it to the Whitney Museum in New York City. There it was seen by an ophthalmologist who, not sure whether he was intruding or not, got a message to Close...

Author: /time Magazine | Title: Art: Close Encounters | 4/13/1998 | See Source »

From black-and-white, Close moved to color, but again in a system-dominated way. Color printing is done with three colors: cyan (a greenish blue), magenta (a purplish red) and yellow. Close took his photo, had color separations made, and then proceeded to render each square of the canvas with each of the colors, successively, exquisitely controlling the amount of each hue per pixel. There was a yellow face, then a blue overlay, and then with the magenta one--presto, full exact color. No room for deviation or correction. Paint-by-numbers raised to the nth degree. It goes...

Author: /time Magazine | Title: Art: Close Encounters | 4/13/1998 | See Source »

...contrarian analyses of the latest media spins can be numbing, not to say superfluous. "We're not just a bunch of pundits shouting for attention," protests Kinsley. "We're trying to clear through and sort out the clutter." Or do they just add to it? Readers are about to render their verdict...

Author: /time Magazine | Title: Is Slate Worth Paying For? | 3/23/1998 | See Source »

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