Word: renoirs
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Dates: during 1940-1949
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...P.A.C.'s convention headquarters were in two 19th-floor rooms of the Sherman Hotel, filled with red leather chairs and Renoir prints. Here P.A.C.'s assistant chairman, Calvin ("Beanie") Baldwin, and its research director, smooth, balding Economist J. Raymond Walsh, held sway, totting up the Wallace count, working on delegates, calling the printer for more placards. Across the hall was a small room, with the blinds half-drawn, where Sidney Hillman took catnaps between conferences...
...nude Siesta in the Barn (see cut) in Manhattan's Midtown Galleries as the headpiece of a show of 16 oils. Along with several other warm, exhilarating paintings, it suggested that 59-year-old Waldo Peirce is one of the few good painters of simple happiness since Renoir...
Last April he found her-a young cellist with very little professional modeling experience and the kind of floral flesh Renoir liked to paint. Maine must still have been on his mind, for according to the model, he would paint pants on her one day, paint them off the next. He gave his nude a musing, pastoral face and the rosy-brown, gently diffused flesh of warm-weather drowsiness. Against the barn's sober timbers, earth floor and haymow, she has the calm glow of a lamp in daylight...
...particularly, connoisseurs held their seats as the prices skyrocketed. The Manet ellustrées published in 1929, containing Manet watercolor reproductions in color, went for $360-though its Paris price ten years ago was around $30. The collection was a market sensation from Derain to Dufy, from Rouault to Renoir. It was strongest in works by Crowninshield's old friends, French Painter André Dunoyer de Segonzac and French Sculptor Charles Despiau. Highest price of the auction was $7,250 for de Segonzac's vigorously painted French riverside with a church in the background, L'Eglise...
...familiar to yield large stage dividends; simply told, however, it might have possessed warmth and humanity. But besides fancying it up as a constantly interrupted dream, Shaw has put frills on the dialogue, lace pants on the sentiments, and- for extra tone - he tosses in comments on Beethoven, Brahms, Renoir and Keats. Finally, even the point of Sons and Sol diers is feeble: for a real mother to affirm life after having lived it would mean something; but a young girl's affirmation, on the basis of her feverish dreams, lacks the authority of experience...