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Word: renoirs (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...BONHEUR. Young love and marriage prove to be mixed blessings in French Director Agnes Varda's cynical fable of infidelity, superficially as pastel and pretty as a Renoir painting...

Author: /time Magazine | Title: Television: Jul. 1, 1966 | 7/1/1966 | See Source »

...Bonheur translates the French word for happiness into an exquisite fable of infidelity, set to music by Mozart, delicately filmed in the impressionist manner of Renoir, and committed to an utterly cynical contemporary view of the gap between male and female sensibility. Writer-Director Agnès Varda (Cleo From 5 to 7) suffuses the screen with a rueful, youthful, radiant mood, creates a world of innocence and beauty that looks like an invitation for romping barefoot through fields of wildflowers newly abloom. Only later does she reveal that every blossom holds a thorn...

Author: /time Magazine | Title: Cinema: A Philandering Tale | 5/27/1966 | See Source »

Settled in Washington and married to a fellow art enthusiast, Marjorie Acker, he was soon buying selectively throughout the ages, from an El Greco to a classic Renoir such as Luncheon of the Boating Party, picked up in 1923 for an adventurous $125,000. Bonnard became a special love (he owned 26). As his collection grew (it totaled some 2,000 paintings when he died), the Phillipses in 1930 were crowded out of their home, but they maintained it as a museum with its Oriental rugs, comfortable chairs and ashtrays, and no cordoned-off areas or guards...

Author: /time Magazine | Title: Art: Double Loss | 5/20/1966 | See Source »

...conscious film wonks, alert to Cinema History, will notice something new in this use of Cinemascope: it seems uniquely uninfluenced by Hollywood wide-screen, model of New Wave Americanophiles like Chabrol and Vadim. Bunuel's vision of provincial France seems rather an extension into modern times of the native Renoir tradition of lighting and composition...

Author: By Jeresiy W. Heist, | Title: Diary of a Chambermaid | 5/12/1966 | See Source »

...Matisse was on the verge of becoming a lawyer when--like Degas and Manet before him--he abandoned the law to paint. Matisse came to Paris in 1891 and found it vibrating with artistic activity. Seurat and Van Gogh had died only a few years before and Monet, Renoir, Degas, Cezanne, Lautrec, Redon, Henri Rousseau, and Rodin were very much alive and active in the city. During his first years in Paris, Matisse studied with Gustave Moreau who was unprejudiced against experimental art even though known work was a continuation of Delacroix along traditional lines. With Moreau's encouragement, Matisse...

Author: By Jonathan D. Fineberg, | Title: Matisse: Innovation From an Armchair | 5/11/1966 | See Source »

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