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Word: renoirs (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...valued at $25) in 1926, and remained a generous benefactor till his death in September at the age of 76. In his will Tannahill made his personal choices public by giving his favorite museum a last and most munificent gift: his multimillion-dollar private collection, including a life-size Renoir nude, seven Cezanne oils, five major Picassos and an important collection of African sculpture...

Author: /time Magazine | Title: Art: One Man's Fancy | 11/28/1969 | See Source »

...Rules is much more stylized by Renoir's quick cutting Rather than following a few characters for a long time. Renoir cuts away to some other relationship, breaking up his normal realistic exploration of spaces and events. But dramatically Rules still works as a continuous surface of events-personal events more vital and unpredictable than before. Each character's actions express him, not indirectly in mannerisms which type him, but in direct self-assertions. The rapid succession of strong personalities and events is disturbingly confusing...

Author: By Mike Prokosch, | Title: The Moviegoer Rules of the Game | 11/20/1969 | See Source »

...they act, without reflecting. The most assertive and idealistic of them is Andre Jurieu, the man who flew the Atlantic for a woman. It's significant for the mood and tendency of Rules that earlier in the depths of his love he talked of suicide-an act few of Renoir's characters consider...

Author: By Mike Prokosch, | Title: The Moviegoer Rules of the Game | 11/20/1969 | See Source »

...LIKE RENOIR'S other idealistic heroes Jurieu carries away in his death everybody's ideal aspirations. Because he acts explicitly from the deep passions the others can't sustain, his death carries more weight than those of Renoir's earlier heroes. The aristocrats agree to call it an accident; the speeches and polite conduct that cover his death seem more artificial than ever...

Author: By Mike Prokosch, | Title: The Moviegoer Rules of the Game | 11/20/1969 | See Source »

...take his murder seriously the characters remove all ideal depth from life. They dedicate themselves to a world of dark confusion, textures of broken light and shadow without order, violent emotional events with scant meaning. In thus interpreting the continuity of social process and order after individual death, Renoir finally recognizes the seriousness of his material. His fluid and continuous relationships between men, his heroes' deaths at the hands of society are given the atmosphere of horror they deserve. Renoir is morally engaged in Rules of the Game as in few other films...

Author: By Mike Prokosch, | Title: The Moviegoer Rules of the Game | 11/20/1969 | See Source »

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