Word: renoirs
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Dates: during 1970-1979
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Reporter-Researcher Georgia Harbison, who interviewed the owners and patrons of Manhattan's top auction houses, shares Demarest's taste for fine art. "Chinese lacquer chests interest me, and so do impressionist paintings. I wouldn't mind getting a Renoir for Christmas. It can be a very small...
...product of academia, Loser Takes All by Maurice Yacowar of Brock University, Ontario. For Yacowar, Allen is 'a serious, probing artist with a consistent and distinctive vision.' His films are indeed suspiciously clone-like, but 'serious, probing'? By what standards? Well, says Yacowar, Manhattan can be compared with 'Jean Renoir's La Grande Illusion, another classic analysis of the decay of western culture.' Oh, and 'like Kafka, Allen makes Jews of us all.' We might wonder just what manner of man this is whose films can unite Kafka and Renoir. Yacowar has his answers...
Rules of the Game. A case could be made for this film as the best film comedy ever made. It is certainly Renoir's best film. His work generally involves a search for a community to identify with in French society, whether aristocracy bourgeoisies, peasantry or working class. This quest often leads to the sentimental conclusion that such an identification is possible. But in Rules of the Game Renoir rejects false resolutions. Though the film seems to identify itself sporadically with the aspirations of different characters--the eccentric aristocrat, his Viennese wife, the romantic aviator, and Octave (played by Renoir...
DIED. Jean Renoir, 84, master French film maker whose work strongly reflected his own ironic wit, love of nature and sympathetic curiosity about human behavior; of a heart attack; in Beverly Hills, Calif. Son of Impressionist Painter Pierre-Auguste Renoir, Jean as a red-haired child often posed for him and later married one of his models. With his wife as the star, Renoir directed his first movie in 1924; during the next 45 years he directed and wrote some three dozen films, among them such masterpieces as Toni (1934), the antiwar Grand Illusion (1937) and The Rules...
...talented and sexy, but Handkerchiefs is a director's movie. Blier consistently conquers the challenges of mood and texture set up by his script, weaving disparate elements into a ripe, dreamlike whole. The film opens in the slapstick manner of a cartoon, then evolves seamlessly into a bucolic Renoir romance. In the second half, Blier stages chase scenes, a benign car crash and a farcical kidnaping-the larky stuff of American screwball comedy. The film's stylized denouement, shot around a wintry mansion, is a surrealist's spooky intimation of tragedy. But even when invoking death, Handkerchiefs...