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...submissions to the Sundance Film Festival by aspiring independent filmmakers who worship Tarantino, respect Renoir and can recite the manifesto of Dogma 95, only a handful made the final cut—including a documentary by Harvard Visual and Environmental Studies lecturer Robb Moss...

Author: By Ben B. Chung, CONTRIBUTING WRITER | Title: VES Lecturer’s Film Screens at Sundance | 1/10/2003 | See Source »

When rheumatoid arthritis was given its name in the 19th century, those who suffered from it--including Impressionist master Pierre-Auguste Renoir--had little to look forward to beyond life in a wheelchair. Even in the 1950s, says Cohen, there were still few treatments available. It was treated with aspirin and cortisone, a powerful anti-inflammatory with severe side effects (at lower doses it is still used). Injections of gold salts also provided some relief, although no one really knew...

Author: /time Magazine | Title: The Other Crippling Joint Disease: RHEUMATOID ARTHRITIS | 12/9/2002 | See Source »

...Harvard affiliates can also come in and check out the Renoir classic on DVD to watch solo—“We’re also actively archiving and maintaining DVD and VHS collections,” Price adds...

Author: By Eugenia B. Schraa, CRIMSON STAFF WRITER | Title: Theater in the Square | 11/21/2002 | See Source »

Grenville L. Winthrop, class of 1886, bequeathed his collection--which includes works by 19th-century masters such as van Gogh, Ingres, Renoir and Sargent, as well as one of the most important collections of Chinese art in the West--to Harvard upon his death in 1943, requesting that the collection remain in Cambridge for students...

Author: By Eugenia B. Schraa, CRIMSON STAFF WRITER | Title: Revered Harvard Art Collection Will Travel | 7/19/2002 | See Source »

When Claude Monet, Edgar Degas, Camille Pissarro, Pierre Renoir and a handful of other artists - most of them French - began to abandon the formal rules that had dominated painting until the mid-19th century, they brought into the art world a new spontaneity, luminosity and richness. Their revolutionary way of looking at landscapes, gardens and scenes of leisure had particular resonance in a distant land that, a century earlier, embraced some revolutionary French ideas about politics. "I hated conventional art," said Mary Cassatt, a leading American artist of the 19th and 20th centuries. "When I joined the Impressionists, I began...

Author: /time Magazine | Title: Lasting Impressions | 6/23/2002 | See Source »

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