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...McMullen's Degas: His Life, Times & Work was published. Aspects of Degas's work -- mainly his ballet paintings from the 1880s -- have long been popular with a broad audience, too much so for their own good. But he has never been a "popular" artist like the wholly inferior Renoir, whose 1985 retrospective in London, Paris and Boston beguiled the crowds and disappointed everyone else. Degas was much harder to take, with his spiny intelligence (never Renoir's problem), his puzzling mixtures of categories, his unconventional cropping, his "coldness." The long continuities of his work have not always been obvious. Degas...

Author: /time Magazine | Title: Art: Seeing Degas As Never Before | 10/17/1988 | See Source »

...went to Paris between 1890 and 1930, the highest years of French influence on world culture. It does not contain a single masterpiece; almost everything in it is derivative, and not always very intelligently so. One would not normally cross the street to see earnest Japanese pastiches of Renoir, looking like inflamed rubber dolls. The only artist in it whom anyone in America is likely to have heard of is Fujita Tsuguji, he of the sinuous, minutely penciled studio nudes whose prices seemed so excessive when the Japanese started buying them back at auction 15 years ago. And yet, against...

Author: /time Magazine | Title: Art: Japanese with A French Accent | 1/25/1988 | See Source »

...general the Japanese in Paris were conservative in their taste, preferring as models Renoir and Monet to Picasso. Some of the high points of this show are conservative in the best sense, such as Kishida Ryusei's superrefined Still Life (Three Red Apples, Cup, Can, Spoon), 1920, in which the Japanese passion for wabi -- unfussed, natural simplicity -- finds its way into a still-life scheme inherited from Andre Derain. When Umehara Ryuzaburo went to extremes in 1938 with Nude with Fans, the limbs drawn in thick dissonant red and green lines, his prototype was Matisse's work of 30 years...

Author: /time Magazine | Title: Art: Japanese with A French Accent | 1/25/1988 | See Source »

There are also more than enough works of the Impressionists to satisfy their most ardent fans Renoir, Degas. Manet--the Fogg has works by the whole lot. That is to say nothing of Rembrandt and the other Flemish hordes. some great modern painters and lots of wonderfully gruesome religious art. You can even go and gaze adoringly at Picassos should you wish to do so. Whatever your tastes the Fogg can cater to them; sumptuous nudes or tully draped Madonnas, tranquil still-lives or colorful battle scenes, sculpture or painting, ancient or modern, whatever takes your fancy...

Author: By Ellen J. Harvey, | Title: Foggy Days In Cambridge Town | 11/30/1987 | See Source »

...recounts his experience at the blockbuster Renoir exhibit at the Museum of Fine Arts two years ago. "It was like we were on a moving sidewalk, and the paintings were just standing still. Or actually, we were standing still, and the art was moving by," he says. "The people were like a snake going through the rooms...

Author: By David J. Barron, | Title: A Friendly Artist Makes Cambridge His Galllery | 10/21/1987 | See Source »

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