Word: renoirs
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Cambridge is full of surprises. For instance, did you know that art-house cinema was born here?Well, technically most of it came from European and Asian directors like Jean Renoir (“Grand Illusion”), Federico Fellini (“La Strada,” “8 1/2”), Michelangelo Antonioni (“L’Avventura,” “Blowup”), Ingmar Bergman (“The Seventh Seal”), and Akira Kurosawa (“Rashomon”) in the middle third of the 20th...
...RULES OF THE GAME, directed by Jean Renoir...
...perfect example of what Criterion does. Just days after its disastrous Paris 1939 premiere, Renoir cut the film from 94 to 81 minutes. The negative of his original cut was destroyed in World War II bombing raid. In 1959, a time when the film was rising steeply in critical estimation, two Frenchmen reconstructed it, with Renoir's approval, to 106 minutes. This is the version released by Criterion, but in a superb high definition digital restoration that removed thousands of scratches, stains and other defects, and with enhanced subtitles that translate more dialogue than earlier versions. Extras include interviews shot...
...Criterion has a gift for pairing films that belong together. One example is its release of Maxim Gorky's play The Lower Depths as filmed by Renoir in 1936 and Kurosawa 21 years later. Another is its dual set of The Killers, both the 1946 Robert Siodmak original of Hemingway's story about a man who welcomes his own murder - it's Burt Lancaster's sleepy-eyed, long-muscled film debut - and Don Siegel's hyped-up 1964 remake that was made for TV but too violent for broadcast...
...tokyo gallery usually reserved for the painterly impressions of Renoir's bathers, Monet's water lilies and Van Gogh's windmills, a group of white-gloved, green-uniformed installation specialists have gathered round the much earthier canvas of Judy Watson's Aboriginal Shield, which has come all the way from Wollongong. Around the corner, Ken Thaiday Senior's tiger-shark headdress occupies a cabinet where early Greek and Egyptian antiquities are normally housed. But this day the biggest impression comes when Patricia Piccinini's mutant possum sculpture emerges-bearing impossibly lifelike wrinkles, hair and fangs-from its packing box. "With...