Word: renoirs
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...Memoirs of Fanny hill which omits the sexual detail. A vast Goldsmith collection, including the first Swedish translations of the Vicar of Wakefield and The Citizen of the World. First editions of Balzac, Stendahl, and Baudelaire. A theatre collection which includes letters of Booth, working scripts of Jean Renoir, letters of John Gielgud, and manuscripts of Shaw. first editions of Appolinaire, Claudel, Camus. Four of Bonhoeffer's manuscripts, written during his imprisonment. Letters of Gorkii and Pasternak, of Joyce, O'Casey, Eliot, and Yeats. Working papers of John Updike. A copy of Churchill's Step by Step that John Kennedy...
...possession of them. We lose something every time Nixon makes a speech, or a Vietnamese hamlet is secured, or a superhighway inaugurated, a tinderbox subdivision implanted. We gain something each time we walk around a garden, rediscover a color or notice a refraction, see a movie by Sternberg or Renoir, vivify a remembrance, or enjoy a great work of music. There is an intense beauty in moving among this America of sloths in the avantagarde's mood of incorruptible hostility...
Pierrot and his love, Marianne Renoir, who resembles Auguste Renoir's nudes, reach the sea and eternity and set out to lead their idyllic existences together. As they walk along the beach, the sea washes over and erases their footprints...
...lady had lived in the same University Road apartment for 10 years, paying 70/month the entire time. She let us in suspiciously, but quickly warmed up, seemed glad to talk. The apartment was scrupulously clean, with cheap Renoir and Degas prints on the walls...
...tract), to create a world of permanence--the land, into which all the characters' actions flow. This formal method realizes the plot to give the film a feeling of fatality an fixity. The world of La Marseillaise is a world of motion. But the moral structure of the films--Renoir's view of the place of personal feelings and actions in the world--is the same. Both films are created, closed works, the setting of La Marseillaise being as purely evocative (again, one couldn't draw a map of the setting) as that o Toni. Into this setting Renoir...