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...this respect, as in so many others, the sculptor Maillol is comparable to Renoir, whose portrait he modeled superbly. Both maximized, late in life, a union of sensuosity and innocence which characterizes their work. Both were passionately fond of the beautiful, even of the pretty, and achieved a voluptuousness and bursting fullness which epitomizes the joy a poet finds in all nature. Both were especially involved with the rhythm of the female form. Maillol wrote, "Girlhood with its fresh bloom, its flowerlike innocence, its confidence in life, is for me the world's greatest wonder...

Author: By Paul W. Schwartz, | Title: Maillol | 11/22/1958 | See Source »

During Maillol's lifetime, his sculpture underwent less of an evolution than Renoir's painting, however. Maillol seemed always to have been at one with a Classical harmony, a Classical grace, a pure vision. The absence of turmoil and conflict which marks Maillol's sculpture and drawing is as fascinating in terms of his life as in regard to his work. Rouault, too, maintained a constant and intensive vision throughout his career, but the difference in temperament here is immense. Maillol, working until 1944 with a turn-of-the-century ardor, seemed to exist in a rapport with nature usually...

Author: By Paul W. Schwartz, | Title: Maillol | 11/22/1958 | See Source »

...Pierre-Auguste Renoir's La Pensée went to London Dealer Edward Speelman...

Author: /time Magazine | Title: Art: Testing the Highs | 10/27/1958 | See Source »

...interesting to note that the number of outraged letters you are receiving on abstract impressionist art is increasing. Why can't the general public recognize that we are never again going back to painting like Rembrandt, Vermeer and Rubens-or even to Watteau, Poussin and Renoir? I commend you heartily on your display of contemporary art, but let's tell your readers the startling fact that it is here to stay...

Author: /time Magazine | Title: Letters, Sep. 15, 1958 | 9/15/1958 | See Source »

...Chrysler's total collection ("I began buying at 14, out of my allowance"), includes some topnotch masterpieces (Tintoretto's Flora, Titian's Portrait of the Admiral Vincenzo Capello, Soutine's Valet de Chambre), as well as some not-so-great works by great masters (Renoir's Pheasant, Derain's Renaissance-style Portrait of Lady Adby), which have good names if not topmost quality...

Author: /time Magazine | Title: Art Town, 1958 | 8/18/1958 | See Source »

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