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...earlier version of the Mar. 30 arts article "Artifacts Take Their Rightful Place as Art" incorrectly stated that the new wing in the Museum of Fine Arts in Boston was designed by Renzo Piano. In fact, it was designed by Norman Foster...

Author: By Alexandra perloff-giles, CRIMSON STAFF WRITER | Title: Artifacts Take Their Rightful Place as Art | 3/30/2010 | See Source »

...HIROSHIMA, JAPAN Hiroshima International Animation Festival Isn't the site of a-bomb destruction perfect for serious cartooning's regeneration of the human imagination? Pioneered in 1985 by distinguished, married animators Renzo and Sayoko Kinoshita, this biennial event features retrospectives, workshops, and work by Oscar winners and nominees among others. The 2010 festival will be held Aug. 7-11. See hiroanim.org...

Author: /time Magazine | Title: The Festival Circuit | 11/30/2009 | See Source »

...that the first element was completed, the Dallas Museum of Art, designed by Edward Larrabee Barnes. Five more years went by before the debut of the Meyerson Symphony Center, a sweeping exercise in creamy culture-luxe by I.M. Pei. Then a long pause until the vaulted chambers of Renzo Piano's magnificent Nasher Sculpture Center opened...

Author: /time Magazine | Title: Curtains up at the Dallas Performing Arts Center | 10/22/2009 | See Source »

...Terzo Piano Italian architect Renzo Piano's recently completed expansion of Chicago's beloved Art Institute includes a new foodie haven. Perched on the new wing's third floor - with views of Frank Gehry's Jay Pritzker Pavilion - Terzo Piano is an indoor/outdoor Italian boîte as sleek as the museum itself. Designed by local architect Dirk Denison, Terzo Piano begins with a presentation kitchen at the entrance showcasing cheese, meats and salads. Further on, a clutch of 11 custom-designed mobile panels helps create individual dining zones that can contract and expand according to crowd levels. Smaller tables...

Author: /time Magazine | Title: Eating in the Windy City | 8/6/2009 | See Source »

...original sketches, films, and paintings supplement the primary focus of the exhibition: Calder’s wire sculptures, described as “drawings in space.” The industrial aesthetic of Calder’s visual gymnastics even seems unintentionally to compliment the exposed framework of Renzo Piano and Richard Rogers’s architecture at the Centre Pompidou...

Author: By Lee ann W. Custer | Title: Thinking in Wire | 7/31/2009 | See Source »

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