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Word: repeatability (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Defense has keyed Harvard's turnaround, and the Crimson has won 10 of its last 11 Ivy games over the past two years because of defense. If Harvard (4-3, 3-1 Ivy), which is currently in a three-way tie for first, is going to repeat as league champions, it will need more of the same from the defensive line. Because of its steady improvement and dominating play Saturday, the defensive line earned its title as The Crimson's Athletes of the Week...

Author: By Bryan Lee, | Title: Four On The Floor | 11/3/1998 | See Source »

That famous quote from Poltergeist applies to Harvard's defense, which was ghastly at the beginning of the season but now looks like a unit that can lead the team to an Ivy repeat...

Author: By Bryan Lee, | Title: Harvard 'D' Looks Like Old Self | 11/2/1998 | See Source »

...Junkie the 24-year-old Morissette comes at you in a rush of words. Most of the vocals were recorded in one or two takes, which gives them a confessional immediacy. Several of the songs race along without a chorus; others are chants that repeat phrases over and over as if Morissette were trying to persuade both the listener and herself to believe in what she's singing. On the CD's first single, Thank U, Morissette pays tribute to the things that have forced her to become stronger and wiser: "Thank you India/ Thank you terror/ Thank you disillusionment...

Author: /time Magazine | Title: Music: Alanis Morissette: Confessional Immediacy | 11/2/1998 | See Source »

Harvard (3-3, 2-1 Ivy) travels up to Hanover, N.H., tomorrow again in a tie for first place. Harvard can lose to Dartmouth and still repeat, but it probably could not be sole champions...

Author: By Michael R. Volonnino, CRIMSON STAFF WRITER | Title: Football Tries to Stay in First at Dartmouth | 10/30/1998 | See Source »

...comic flair to the most serious interchanges, the text of The Compleat Wrks really isn't much different than what you'd find on 10 randomly selected pages of the Riverside Edition. With men playing women, pathetic melodrama, the overuse of gaudy props (i.e. silly string which makes several repeat appearances as a vomit substitute) one begins to wonder if this isn't Shakespeare as it was meant to be. A frequent object of ridicule throughout the show are Shakespeare companies that fret about making Shakespeare accessible to modern audiences. The show suggests that it is not Shakespeare...

Author: By Carla A. Blackmar, CONTRIBUTING WRITER | Title: Smashing in Spandex: Playing it Again at the Loeb Experimental | 10/30/1998 | See Source »

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