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...Aronofsky has been one of the few American directors whose movies upset the complacency of indie cinema. Pi, Requiem for a Dream and The Fountain were demanding and rewarding in various ways: the first wacko, the second gritty, the third sumptuously romantic, and all marvelously dense with imagery. So the big surprise in The Wrestler is that it's visually inert. Aronofsky's main camera habit is to follow Randy, just his imposing back, as he trudges through corridors toward another fight. (Martin Scorsese virtually patented that shot in Raging Bull and Goodfellas.) The trope does pay off later...

Author: /time Magazine | Title: The Wrestler: Mickey Rourke's Comeback Fight | 12/15/2008 | See Source »

Elsewhere in Berlin, a Mozart requiem and concert for violin by Felix Mendelssohn will be performed by the philharmonic chamber orchestra. The mayor will accompany a ceremonial procession from the old city hall in Alexanderplatz in former East Berlin to the so-called new synagogue in the center of the city, where an exhibit of rare photographs of the event entitled "Fire! Anti-Jewish Terror on Kristallnacht" is being shown...

Author: /time Magazine | Title: Germany Confronts Its Dark Past | 11/8/2008 | See Source »

...Orchestral, the Glee Club, the Krokodiloes, the Harvard-Radcliffe Chorus, David Trippett and Paula Downes, and many other talented individuals. Peter grew up loving music and thoroughly enjoyed performing with the MSO while on campus, so we thank them for the beautiful and peaceful music during the service, the Requiem, and at all occasions. We are glad that he was able to spend his remaining years here, thriving and learning amongst numerous talented musicians...

Author: By Quan Cai, Ming Ding, and Christine Li | Title: A Letter to the Community | 11/5/2008 | See Source »

...Aronofsky has been one of the few American directors whose movies upset the complacent status quo. Pi, Requiem for a Dream and The Fountain were demanding and rewarding in various ways: the first whacko, the second gritty, the third sumptuously romantic, and all marvelously dense with imagery. The Wrestler is the first Aronofsky film to be visually inert. His main camera habit is to follow Randy, just his imposing back, as he trudges through corridors toward another fight. (Martin Scorsese virtually patented that shot, in Raging Bull and Goodfellas). The trope does pay off later in the film, when Randy...

Author: /time Magazine | Title: The Wrestler: Mickey Rourke's Comeback | 9/6/2008 | See Source »

ROBOCOP to be rebooted by director of Requiem for a Dream...

Author: /time Magazine | Title: Pop Chart | 7/31/2008 | See Source »

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