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...right, that is his fault and joy too. Such was the case last week as Karajan brought off a bravura musical marathon in New York's Carnegie Hall. In four successive days he unraveled the musical and spiritual mysteries of Brahms' A German Requiem, the Beethoven Ninth Symphony, a double bill of the Mozart Requiem and Bruckner Te Deum and the Verdi Requiem Mass. Each of these is a work of immense proportions requiring time and money as well as skill to prepare. The average orchestra in the U.S. will usually do one such score a year...

Author: /time Magazine | Title: Music: Karajan: A New Life | 11/29/1976 | See Source »

Leverett House Music Society. F. John Adams conducts a choral sightreading of Mozart: Requiem and Mass in C minor, in the Junior Common Room at 4 p.m. Free...

Author: NO WRITER ATTRIBUTED | Title: Concert Listings | 11/18/1976 | See Source »

Fauré: Requiem and Pavane (Elly Ameling, soprano; Bernard Kruysen, baritone; Daniel Chorzempa. organ; The Netherlands Radio Chorus; Rotterdam Philharmonic Orchestra, Jean Fournet, conductor; Philips; $7.98). Orchestra and chorus are fully integrated in a crystalline performance of this seven-part choral work by a romantic Frenchman who admired classic Greek proportion. The purity of Ameling's soprano makes the prayer Pie Jesu an expression of faith as well as of grief. The recorded sound suggests a church rather than a studio, which is particularly effective in the solemn Pavane...

Author: /time Magazine | Title: Music: Classical Records | 4/12/1976 | See Source »

...your requiem for Red Dye No. 2 [Feb. 2] you say: "Without it, instant chocolate pudding would be greenish, artificially flavored grape soda would look blue," etc. Perhaps banning of all such food-cosmetics would spur a more critical look at the oddly colored subtances that we accept as food...

Author: /time Magazine | Title: Forum, Feb. 23, 1976 | 2/23/1976 | See Source »

...goes beyond Weill's elegant cynicism. The final chorale, describing death as part of life's "delight and woe," is sung to A Mighty Fortress Is Our God, while the orchestra counters with a cabaret tune of incredibly sweet pathos. From this juxtaposition emerges a requiem for a civilization literally going up in smoke, but the hymn's chords reassert the promise of redemptive life...

Author: /time Magazine | Title: Music: A Gallows Opera | 12/29/1975 | See Source »

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