Word: requiems
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...style, ballad-like congregational hymns reminiscent of Kurt Weill, choral passages as modal as a 14th century Mass. Florida-born Ed Summerlin began writing jazz for use in churches six years ago, when he poured out his grief at the loss of his nine-month-old daughter in a Requiem for Mary Jo, a jazz setting of the Methodist Order of Morning Prayer. Since then, he has written a score for Episcopal Evensong and is now working with Miller on A Pentecost Cantata...
...Requiem. There are six extraspecial sharks that have earned a place in the International Game Fish Association's official list of sporting fish-all six of which, incidentally, belong to the "requiem" family (a tony way of saying that they are hungry for human meat). Smallest is the porbeagle, a toothy rascal that inhabits the North Atlantic and grows to a mere 600 Ibs. There is the slender blue shark, a handsome indigo in color and up to 800 Ibs. of pure ferocity; the weird-looking thresher, which batters its prey senseless with an enormous scythelike tail and comes...
BRAHMS: GERMAN REQUIEM (Deutsche Grammophon; 2 LPs). "Blessed are they that mourn," softly sings the chorus, and soon the sad saraband begins ("For all flesh is as grass"). At length the black solemnity is relieved by the soaring soprano voice of Gundula Janowitz singing "I will see you again." A powerful, rhythmically relentless performance by Herbert von Karajan, the Berlin Philharmonic and the Vienna Singverein...
MOZART: MASS IN C MINOR (Angel). Written for his bride, who sang the coloratura soprano role in its first performance, this was Mozart's last Mass before the Requiem. Wolfgang Gönnenwein conducts the South German Madrigal Choir and Southwest German Chamber Orchestra in this spacious performance, with Edith Mathis exquisitely singing the eight-minute bel canto solo, Et Incarnatus...
BENJAMIN BRITTEN: SYMPHONY FOR CELLO AND ORCHESTRA (London). On the heels of 1963's bestselling War Requiem comes another major new work by Britten, recorded by Cellist Mstislav Rostropovich and the English Chamber Orchestra under the composer's baton. A 35-minute symphony of gloomy grandeur, it opens with short, skittering, sometimes angry themes. They are like uneasy questions, finally answered in passages that are broadly melodic but nevertheless tentative and unsettling...