Word: requiems
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...Year's Day, he suffered a stroke, prelude to the death that came in his sleep. The big loudspeakers in the living room were silent, but everywhere the eulogies and the memorials began. In Manhattan's St. Patrick's Cathedral, a solemn pontifical Requiem Mass was offered by Cardinal Spellman (though Toscanini had never been noticeably religious). His body will be taken to Milan for burial. Arturo Toscanini's epitaph might best be expressed in words spoken by the Austrian poet Grillparzer at Beethoven's grave: "Whoever comes after him will not be able...
...Catholic Club yesterday announced that it is sponsoring a requiem mass at St. Paul's Church on Monday morning at 8 a.m. in honor of the "Hungarian students and others who have died in the fight for their faith and freedom...
...Mozart: Requiem (the New York Philharmonic-Symphony, Westminster Choir, conducted by Bruno Walter on a Columbia LP; Vienna Symphony and State Opera Chorus conducted by Eugen Jochum on Decca; Vienna State Opera Orchestra and Academy Chamber Choir conducted by Hermann Scherchen on London Ducretet-Thomson). The limpid choruses of Mozart's last work have always resisted the efforts of record makers, and are still a bit troublesome on these three latest versions. Conductor Walter's has a certain dramatic excitement but also a rather thick tone; Scherchen's (in the same performance recorded two years...
...Patterns) Serling's play Requiem for a Heavyweight was a taut, discerning glimpse into the shabby world of prizefighting. The plot dealt with an also-ran pug (Jack Palance) who is put out to pasture after in bone-bruising bouts, and finds it jarringly hard to adjust. He is a tough, disfigured blob of flesh who "could take a cannon ball in the face"; but he is also a gentle man, painfully aware of his ugliness. He is bounced around by some seedy managers and hangers-on ("Why is it," asks Trainer Ed Wynn, playing his first straight part...
Teleplaywright Serling, 31, an ex-amateur boxer himself. He did not intend, he says, for Requiem simply to daub tar and feathers on the fight game-"I tried to dramatize the rejection of a human being by a segment of society. It could have been played out against any background at all." One of the medium's most prolific authors (ico-odd plays), Serling is serving TV (at a record $7,500 a script) some of the most tightly constructed, trenchant lines it has yet spoken. "I love TV," he confesses, "but writing is mostly just fighting discouragement. Sponsor...