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...consisted of 242 strings, 30 grand pianos, 30 harps, legions of wind players and (according to 19th century wags) a few heavy mortars. He was never able to command such an aggregation, but several times he came close, notably in his most magnificent score, the Grande Messe des Morts (Requiem). That opus calls for a 210-member chorus, full symphony orchestra, four separate brass choirs (labeled according to the points of the compass), plus a battery of 16 kettledrums. Few of today's symphonies can afford to stage the work. At Tanglewood, Mass, last week, Charles Munch...

Author: /time Magazine | Title: Music: Requiem at Tanglewood | 8/30/1954 | See Source »

...upon mankind"). But slowly the critical tide has been turning. This year, following the 150th anniversary of his birth, orchestras across the U.S. have played more Berlioz than ever before. Tanglewood alone performed eight compositions-including the huge choral Te Deum and the Romeo and Juliet symphony-before the Requiem...

Author: /time Magazine | Title: Music: Requiem at Tanglewood | 8/30/1954 | See Source »

...turns enough honest dollars on things like Classical Music for People Who Hate Classical Music and Opera Without Singing, he can afford to risk a few on more esoteric items. His own pet recording project: the huge (oversize symphony, chorus, soloists, four brass choirs) and presumably profitless Requiem by Berlioz. This way, he believes, everybody wins...

Author: /time Magazine | Title: Music: Opera in Prose | 5/31/1954 | See Source »

...Readers responded with "enthusiasm and unconcealed joy," reported Editor Herbert Kupferberg. Their "most tedious ten": 1) Rimsky-Korsakov's Scheherazade, 2) Franck's Symphony in D Minor, 3) Ravel's Bolero, 4) Wagner's Parsifal, 5) Beethoven's Missa Solemnis, 6) Brahms's Requiem, 7) Dvorak's Symphony No. 5 ("New World"). 8) Beethoven's Symphony No. 9 ("Choral"), 9) Wagner's Tristan und Isolde, 10) Tchaikovsky's Symphony...

Author: /time Magazine | Title: Music: Unpopularity Poll | 4/5/1954 | See Source »

Beyond the responsibility for the riots and the deaths lay the West's continuing failure to make good on its promise to Italy. After attending with his Cabinet a High Requiem Mass for the Trieste victims, Premier Pella warned: "Time is working in nobody's favor in the question of Trieste . . . Time works neither for Italy nor for the Allies nor for the cause of that peace which we have so much at heart. The dead of Trieste have furnished the evident proof of this warning with their blood...

Author: /time Magazine | Title: TRIESTE: Blood in the Streets | 11/16/1953 | See Source »

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