Word: rer
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Until almost the peak of the Italian Renaissance, German painters remained absorbed in refining their own massive, strong-lined Gothic style. The first great German artist to cross the Italian Alps was Albrecht Dürer, who returned with his eyes aglow. Back home in Niirnberg, young Dürer began turning out drawings and prints that combined the high skills of medieval German craftsmanship with the new techniques and ideas he had discovered in Venice. The result was the opening of the Northern Renaissance. Dürer's prints and drawings became sought-after collectors' items...
...success of Dürer's work led the way for other German artists-Matthias Grünewald, Albrecht Altdorfer, Hans Holbein the Younger and Martin Luther's great friend, Lucas Cranach-whose work made Germany for half a century the leader of the Northern Renaissance. The level of excellence achieved in this brief period is shown by Cranach's son and pupil, Lucas Cranach the Younger. Starting with a piece of paper tinted slightly pink, the young Cranach sketched the head and shoulders of the young Princess Elizabeth of Saxony (see color page) with quick brush...
...rer from the Crib. Now a pink and sturdy 49, Rorimer set out to become a connoisseur of art with the same care that another man might give to preparation for brain surgery or nuclear physics. Dürer's engraving of Knight, Death and Devil hung over his crib, he recalls, and "I was a wood carver before I was a Boy Scout. At nine, I took a course in arms and armor. I got two years off from prep school to visit the art centers of Europe...
Elgin's Marbles. The non-library part of the museum has, among other things, a painting by the 4th century Chinese artist Ku K'ai-chih and one of the world's best collections of Dürer woodcuts and drawings. Its antiquities from Ur and Nineveh are outstanding; its Egyptian collection includes the famed Rosetta stone. The most notable items are the Elgin Marbles, taken from the Parthenon in Athens and donated by Lord Elgin...
...Western world, in its scholarly moments, remembers St. Jerome as the learned ascetic who translated the Old Testament into serviceable 4th century Latin-his Vulgate remains the official Latin Bible of the Roman Catholic Church. Medieval and Renaissance artists (including Raphael, El Greco, Dürer and Van Dyck) have handed down a stock portrait of a calm and cadaverous holy man who has generally-following a popular legend-just removed a thorn from a grateful lion's paw. Scholars have long known better. In A Monument to St Jerome (Sheed & Ward; $4.50) nine Roman Catholic authorities have...