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Word: rescigno (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Kansas City production, deftly directed by Ellis Rabb and churned to a fine froth by Conductor Nicola Rescigno, skipped along with the sauce and savoir-faire of a boulevardier on the Champs Elysées. Effective as the singing was-notably Frank Porretta's mugging Orpheus, Jack Bittner's crafty Jupiter and Jeanette Scovotti's vapid Eurydice-it was almost overshadowed by Zachary Solov's spirited, stylish choreography, brilliantly danced by New York City Ballet Stars Melissa Hayden and Jacques D'Amboise. With the help of Jack G. O'Brien's updated English...

Author: /time Magazine | Title: Festivals: Camping on Olympus | 6/9/1967 | See Source »

...such an offbeat opener? "Because," explains Cindy, "we wanted to wake up cultural interests here, not just put them to sleep with the same old safe arias." In transporting Julius Caesar into the 20th century, Conductor Nicola Rescigno, who was imported from the Dallas Civic Opera with Producer Lawrence Kelly, compressed the unwieldy 51-hour libretto into three hours and, to allow for the inclusion of ballet sequences, added several numbers judiciously borrowed from other Handel operas...

Author: /time Magazine | Title: Opera: C.C.C. in K.C. | 6/4/1965 | See Source »

Seduction Scene. Monteverdi's original ran five hours, but Dallas Musical Director Nicola Rescigno pared it down to two hours and a half for his production. Where Monteverdi framed his action in tableaux vivants, Director-Choreographer Luciana Novaro, on loan from La Scala, wrung all the action possible from the remaining 15 scenes. The results were most effective in the assassination attempt and in the seduction scene that sealed Seneca's fate...

Author: /time Magazine | Title: Opera: The Seeds of Verdi | 11/22/1963 | See Source »

...opera was Bellini's Beatrice di Tenda, an obscure chronicle of intrigue and infidelity in medieval Italy, which flopped at its Venice premiere in 1833 and had not been done in the U.S. for a century. The American Opera Society's orchestra, awkwardly led by Conductor Nicola Rescigno, sounded coarse. The supporting cast in the concert performance was uninspired. Soprano Joan Sutherland's mother - her first voice teacher -had died the day before in London. But in her New York debut, Joan Sutherland proved what past appearances (London, Venice, Dallas) had already shown: that even...

Author: /time Magazine | Title: Music: New & Excellent | 3/3/1961 | See Source »

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