Word: researchers
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Dates: during 1930-1939
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...metal craftsman of this country." He has done a great deal of impressive metal decoration for public buildings, rich men's homes, ships, mausoleums, world's fairs. Last week bemonocled, pipe-sucking Mr. Bach discussed with newshawks a metallurgical process which he had developed (after years of research), and which not only delivers stainless steel in a variety of colors but also increases greatly the corrosion resistance of inexpensive chrome steel...
Died. Charles Rupert Stockard, 60, famed biologist, president of the board at the Rockefeller Institute for Medical Research, longtime head of the anatomy department at Cornell University's Medical College; of heart disease; in Manhattan. After a 17-year experiment with guinea pigs, Dr. Stockard asserted that a moderate consumption of alcohol is good for the human race...
...changes, because they have a value which remains relatively constant. I refer to the preparation of the scholar-specialist whose activity will add to the sum total of what is known about a man, a work of art, a period, a school. The future scholar learns the methodology of research; he acquires precision and a scrupulous honesty in using his materials. To delicately sharpened powers of analysis and appraisal he adds ability to perceive qualities in works of art. So far as concerns Harvard, the distinguished careers of hundreds of scholars, museum workers, teachers and technical research men bear witness...
...college graduates can say that they have given much time or much thought, in their fine arts courses, to Surrealism, the murals of Orozco, or the Federal Art Projects. Few scholars feel that these are fruitful subjects for scholarly investigation. In a publication which contains the results of scholarly research, I recently found, for the period between 1925 and 1930, forty-eight articles on mediaeval art, twenty-two on Renaissance and Baroque Art, and one on Modern Art. Perhaps it is because the critical apparatus of most scholars is so beautifully equipped to deal with Masaccio and Piero della Francesca...
...sight to the kind of detachment which removed the artist from common experience, and which at its worst gave rise to an art merely for the museum, a rarified preciousness." If the layman is to meet the artist half way, we must include among the scholars, the research experts, the technicians on our faculties, men who can bring past and present into meaningful relationship, restore to past works of art their lost context and meaning, relate art to the common run of experience, override the compartments we have built for convenience, recognize the present as a legitimale subject for investigation...