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BIRD. Clint Eastwood's passionate biography of jazz great Charlie Parker hits the high notes, and finds new blue ones, in the story of a genius who could resist everything but temptation...

Author: /time Magazine | Title: Critics' Choice: Oct. 17, 1988 | 10/17/1988 | See Source »

...palmy white beaches and a capital built along tree-shaded canals; and a gentle Buddhist retreat filled with smiling, gracious people who make "tourist industry" sound like a contradiction in terms. The most pressing problem with the "Land of Smiles" may be simply that it is too hard to resist...

Author: /time Magazine | Title: Travel: The Smiling Lures Of Thailand | 10/17/1988 | See Source »

...past record on stockholder activism should not stop us from encouraging Harvard to take action against the tobacco companies. In keeping with its stated investment policy, Harvard first should negotiate with the companies as a preferred stockholder, urging them to change their practices and threatening divestment if the companies resist. Universities, such as Harvard, which aspire to inculcating a sense of ethics in their students, must back up their words with actions...

Author: By John J. Murphy, | Title: Blue Smoke and Mirrors | 10/4/1988 | See Source »

...virtue of Anna Hamilton Phelan's script, Michael Apted's direction and Sigourney Weaver's strong, stark performance that they resist sentimentalizing Fossey. The filmmakers seem content with the notion that saintliness is a form of lunacy. For their lack of conventional biopic piety, they deserve respectful gratitude...

Author: /time Magazine | Title: Cinema: Fogged In GORILLAS IN THE MIST | 10/3/1988 | See Source »

Charlie Parker could not resist temptation. Bad ones (drugs, alcohol, women who were not his wife) and good ones (the improvisation no one had ever dared, around the chord progressions few had ever heard) were all the same to him, something he had to try. Bird, the movie based on the great sax man's short, messy, indispensable life as one of the founding innovators of modern jazz, knows better. It surrenders to the right things, his compositions and performances, reconstructed with compelling authenticity by music supervisor Lennie Niehaus. And it repels the wrong things, the damp pity and even...

Author: /time Magazine | Title: Cinema: More Than One Note at a Time BIRD Directed | 10/3/1988 | See Source »

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