Word: resnik
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Dates: during 1960-1969
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Vocal REGINA RESNIK: FRENCH, GERMAN, SPANISH AND RUSSIAN SONGS (Epic). Great singers never rely on vocal beauty alone, for they know that they must combine drama and music in almost equal parts. Regina Resnik's vocal stagecraft is nearly unexcelled. This disk offers a variety of songs, each a sharp, clear miniature of a thought, a mood or a conflict. Bronx-born Resnik employs her practical intelligence, her personal flair and her firmly controlled mezzo throughout the recording. But she is most effective when her Russian ancestry boils to the surface in a gloomy Prokofiev work. The Pillars, which...
...interpretation was forceful enough to rank Verrett with the best Carmen of the day-Regina Resnik...
...instructors. Today they are widely used in the music world as well. Conductor Herbert von Karajan saved rehearsal time for last year's Salzburg Festival production of Die Walküre by having the singers study cassettes made from his earlier recording of the opera. Mezzo-Soprano Regina Resnik taped a recording of Adriana Lecouvreur on her cassette and is now using it to learn the role she will sing next season...
...they win the tenor. Lower-voiced mezzo-sopranos, on the other hand, usually end up on the limelight's fringes, portraying a disappointed rival or a sister-and wishing they were sopranos. As a result, the soprano field tends to be overcrowded. Two decades ago, Bronx-born Regina Resnik, a dramatic soprano with a rich lower range, found the field so overcrowded that even her widely recognized abilities were not taking her to the top. "I was just a talented youngster compared with the great divas of the time," she says. "I sang the second Elsa to Flagstad...
...Prancing. Last week in Manhattan, Resnik returned to what is by all odds the finest of her 77 roles, stepping into the title part of the Metropolitan Opera's new production of Carmen. Her Carmen is far from the flippant vixen so often projected by younger singers. "Carmen," she says, "is not a hip-swinging, tawdry, gutsy tart. I'll be damned if I'll prance around in the role." Instead, using dozens of shrewdly modulated gestures and inflections-a taunting yet soulful stare, a rippling laugh, an unexpectedly quiet and silken musical phrase-she builds...