Word: respondents
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...asked one actress she had never seen before. Giving actors notes like this is important to Spillane-Hinks; it levels the playing field, giving her an idea of what these unknown quantities will be like in rehearsals. It is what she looks for above all else: actors who respond to her direction and the flow of a scene.“It’s about looking for actors who are willing to listen to the text, listen to each other, and listen to me,” she says.ACT TWO“I change things from night to night...
...again. This time, I’m going to give you a spasm. Your leg,” Hanley says. Making the auditioning actor incorporate a nervous tic into her monologue is one of Hanley’s trademark moves, to see how well the actors respond to direction. Although most of the casting decisions come down to intangible factors like “presence” and their particular “fit” for “Chicago,” Hanley, for his own personal sanity and for that of the actors, relies on formulaic tests...
...that one of Bok’s highest charges would be “to overcome the mammoth negative Pusey legacy,” referring to Bok’s predecessor, Nathan M. Pusey ’28. Pusey faced particularly strong criticism in 1969 for calling police to respond to a student occupation of University Hall...
...various colleges in Boston. Outside of the Eliot dining hall, an orange flier is posted, advertising “FREE BEER” and featuring a male motorcycle rider and his androgynous passenger. Even though the party is advertised to all Boston students, it is the males who respond to it most enthusiastically...
When Bok assumed the presidency in 1971, he inherited a campus roiled in controversy and deeply divided by the Vietnam War. His predecessor, Nathan M. Pusey '28, came under fire in 1969 for calling police to respond to a student occupation of University Hall...