Word: rest
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Dates: during 1980-1989
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...final club experience has been an enjoyable part of my Harvard experience. That my final club membership is so controversial is distressing to me since I also proudly consider myself a member of the Harvard community. And that a sizable portion of the rest of the Harvard community is fighting for the inclusion into the club system of Harvard women is also difficult for me to deal with. As I witness the increasing disenfranchisement of the clubs from the Harvard social community, I am compelled more and more to confront these issues intellectually and to seek explanations for and solutions...
Harvard has let down its students by not releasing the rest of the survey results and by backing down on an open forum. It is too late for the approximately 720 seniors who answered the questionnaire to get the forum they were promised. But it is not too late for the rest of the students. The University should hold a meeting at which all information can be discussed...
...what are the rest of us to do? Keep our eyes peeled for "suspicious-looking" strangers? That is impossible. Previously reported intruders have been better dressed than most of us. College administrators have to realize there is really nothing more students can do, because most of us already rely on our good sense when we let people into the dorms...
...gradually increased its cultural coverage, a trend that will continue in its new incarnation. But the new Mother Jones will also try to appeal to its older readers by introducing columns about politically correct travel and even personal finance. Whereas it once called itself "a magazine for the rest of us," the new Mother Jones is less of an upstart, offering the subtitle People, Politics, and Other Passions. Says Publisher Don Hazen: "You'll see more familiar faces on the cover...
...cool whiskey and stiff blonds). Raymond Chandler was ghostwriter to the sound track our lives so often imitate. The figure of the tough-but-tender hero cracking wise to cover up his soft spots; the lethal blond and the flick-knife dialogue on which the movies (and so the rest of us) still feed -- all of them seem to have been copyrighted by the onetime oil executive who only began writing at the age of 45. In seven novels and in the screenplays he wrote for Billy Wilder and Alfred Hitchcock, Chandler scripted much of the unshaven poetry and arsenic...