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...instrumental element with the appearance of a violin, plucked lightly under the otherwise a capella chorus and sweeping above the verses. Mixed together with the otherwise simple percussion and guitar background, the violin elevates the track, making the final instrumental minute and a half just as enjoyable as the rest of the song...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: Lightspeed Champion | 2/17/2010 | See Source »

...There’s Something Underwater,” Hynes enters with ukulele chords, leading into a swelling chorus that feels hymnal, reminiscent of an epic Sufjan Stevens’s song. It’s a simple composition, and while the lyrics are as predictable as on the rest of the album—Hynes seems to be striving the use the phrase “I miss you” a record number of times for a four minute song—it is a thoroughly enjoyable slice of nostalgia nonetheless...

Author: By Eleanor T. Regan, CONTRIBUTING WRITER | Title: Lightspeed Champion | 2/17/2010 | See Source »

...imperfect science. If it were possible to know the current conditions in every cubic centimeter of the atmosphere at any given time, meteorologists would be able to predict the weather months in advance with perfect accuracy. However, that wealth of data is just not realistic, and so, like the rest of us, weathermen do the best they can with what they have. Considering that a microscopic shift in wind direction—in the right context—can drastically change the conditions we experience on the ground, we should instead be impressed with how often they get it right...

Author: By The Crimson Staff | Title: Weather… Or Not | 2/17/2010 | See Source »

Dartmouth, which sends skiers to the Winter Olympics every four years, remains leagues ahead of the Crimson, but if the rest of Harvard’s skiers can match the performances of its women’s nordic team, the rest of the pack...

Author: By Christina C. Mcclintock, CRIMSON STAFF WRITER | Title: Skiing Posts Solid Results | 2/17/2010 | See Source »

...solid foundation upon which wild trumpet riffs and trippy synths soon take over, creating an alternately jazzy, new-age feel. Stuart Staples’ oft-commanding vocals seem to politely refrain from overpowering the melodies, neatly weaving themselves into intricate tapestry of disparate sounds. An engaging prelude to the rest of the album, the title track exemplifies what makes the best songs on the record successful: the many layers of Tindersticks’ instrumental elements merge into a unified whole which eludes any all-purpose labels...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Tindersticks | 2/17/2010 | See Source »

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