Word: restful
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...after the circus has paraded through town, the first autumn releases tiptoed into movie theaters. Rather, one of them sauntered - Tyler Perry's I Can Do Bad All by Myself, which ignored the critics and most of the Caucasian movie audience to clean up with $24 million - while the rest staggered. It's as if the longest possible summer stanza (from May 1 to Sept. 7) had finally collapsed from satiety. Hollywood would say it was a grand gorging: all-time box-office records were broken both in North America and abroad...
...Santa Clara we were playing a very good team,” Atkinson said. “The team fought hard, but it wasn’t close.”Voith found the back of the net twice and Atkinson, Lee, Eliot, and sophomore Kevin DiSilvestro comprised the rest of the offense. Senior Nikhil Balaraman got his second start of the weekend for Harvard, but could do little to stop the Bronco onslaught.NO. 11 PRINCETON 16, HARVARD 8Balaraman was solid in his first contest of the weekend, posting 13 saves in Saturday’s nightcap, but the Crimson...
...Many of the ideas Summers developed were codified in a 1986 article titled "Hysteresis and the European Unemployment Problem." Even today it's a piece he's proud of: "Ah, yeah, the hysteresis article," he interjects when it's mentioned. Hysteresis is a word that you (and the rest of us) should hope we don't hear too much of in the coming months. It comes from the Greek husteros, which means late. It refers to what happens when something snaps in such a way that it can never be put back together. Bend a plastic ruler too far, drop...
...release in English in 2007 (translated by Natasha Wimmer for Farrar, Straus & Giroux, four years after Bolaño’s death due to liver failure) and the rumor of his posthumous final masterpiece, “2666,” to do as much in the rest of the world. Those two novels, massive in their respective scope and ambition, are dazzling and formidable to be sure. His was a new language in fiction; a language of the possible, of poetry vibrating in an uncertainty more readily comparable to that of Franz Kafka than Jorge Luis Borges...
...bracing performance richly deserves. Although uniformly believable, the remaining cast does not reach Theron’s or Lawrence’s level. As the guilty mother, Kim Basinger is so shakingly fragile that she comes dangerously close to over-acting, which is frustrating given the subtlety of the rest of the film. J.D. Pardo is effective but one-dimensional as the son of Basinger’s paramour, and José María Yazpik is intriguing in a small role performed entirely in Spanish. To attempt to elaborate any more of the characters, plot, themes, or images would...