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...involuntary flailing of his arms, the 52-year-old Sampedro is a prisoner within a paralyzed body. Propped up in bed in the farmhouse where he lives with his brother, sister-in-law and his aged father, he can see from his window the coast at Xuno and the restless Atlantic beyond. It was at this beach 26 years ago that Sampedro, a mechanic, dived into a rock pool and struck his head on the bottom...

Author: /time Magazine | Title: EL SUENO SE HA VUELTO PESADILLA | 1/30/1995 | See Source »

...building. A recent study of Hardy estimates that he composed in more than 790 metrical forms. (A comparison with two other poets celebrated for their versatility is instructive: Swinburne wrote in about 420 forms; Browning in 200.) There's a great irony in this statistic. The most formally restless of English poets was, in his daily life, one of the most rooted...

Author: /time Magazine | Title: BOOKS: Versatile Monomaniac | 1/16/1995 | See Source »

...terrifyingly popular Seattle-based rock group Pearl Jam has released just three full-length albums but has already ripped through all the stages of rock stardom in record time. The group has sung about restless youth (the song Jeremy became a bona fide rock anthem), it has established an adversarial relationship between itself and everyone else on the planet (the band's last album bore the confrontational title Vs.), and, yes, it's made the inevitable pilgrimage to MTV Unplugged. Now what? Having gone from larva to butterfly, does the band flutter to the ground, its brief season done...

Author: /time Magazine | Title: MUSIC: Scathing Guitars, Pretty Tunes | 12/19/1994 | See Source »

With the movie, the subtitles, the singing and the music -- expertly conducted by Michael Riesman -- there is a lot of information for the listener to absorb all at once, but after a few minutes everything comes together seamlessly. The restless, relentless energy of the score -- tempered, for the first time in Glass's career, by some fetching love music -- pulls one into the film in a way that mere background music never could. By the final shot, of a sublime Beauty and her transformed Beast borne magically aloft and soaring through the clouds, the audience is as enchanted...

Author: /time Magazine | Title: OPERA: Wagner Meets Cocteau | 12/19/1994 | See Source »

Colm Feore gives a remarkable performance as Gould. With every move, he suggests Gould's restless quirks and passions. He is both detached and present, tender with a sheet of music, harsh in his judgments and the pain he inflicts on his body. The score of the film is--unsurprisingly--superb, with Gould's actual recordings providing the framework. Life and the artist are given to us but with this successful minimalist style, leave us enough room to ponder the madness and strange sensibility of Glenn Gould...

Author: By Tristan Walliser, | Title: Gouldberg Variations | 11/17/1994 | See Source »

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