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...with unreal qualities that make the whole narrative easier to digest. Ironically, this seemingly simplistic, almost whimsical lens allows Lind to humanize the effect of the war on people. For instance, Bachmann meets a deserter named Schnotz, who has become so much like a woodland creature as a result of his time away from human company that Bachmann initially doesn’t even recognize him physically as a human: “[Bachmann] hauled off and poked his stick into the ghost’s side. It writhed with pain and made faces. You’ve hurt...

Author: By Jenny J. Lee, CRIMSON STAFF WRITER | Title: A Nazi Lost in the 'Concrete' | 4/2/2009 | See Source »

...prose descriptions, devoid of any psychological complexity or, even, thought. This is not typically a genre convention of the mythic allegory, and it greatly hampers Rodoreda’s attempt at the creation of a satisfying fictional universe. Whether the novel’s emotional gap is a result of Tennent’s translation or Rodoreda original work, other aspects of the novel are simply inaccessible to readers outside the Catalan culture. Recurring images and motifs are, for the same reason, often mysterious. What is the significance of “wisteria” to the author...

Author: By Keshava D. Guha, CONTRIBUTING WRITER | Title: Death Springs Eternal, But Not Much Else | 4/2/2009 | See Source »

...grim undertaking. In this approach, “Hunger” bravely reveals the visceral underbelly of a well-known event in English and Irish history. McQueen illustrates with profound artistry the eerie quiet of a hunger strike and the severe calm with which Sands chooses to die. The result is a brutal and emotional film that seeks not to entertain, but instead to let the corporeal imagery speak for itself.—Staff writer Noël D. Barlow can be reached at nbarlow@fas.harvard.edu...

Author: By Noël D. Barlow, CRIMSON STAFF WRITER | Title: Hunger | 4/2/2009 | See Source »

...portraying the fine line between ennui and nightmare. “In conceiving the production, my goal was essentially to make it as Pinteresque as possible,” writes Matthew C. Stone ’11, the play’s director, in an email. As a result, this production foregoes unnecessary embellishment in order to greater emphasize the raw power of the original screenplay’s dialogue. “[‘The Birthday Party’] is not a play with a message, and it’s not about abstract ideas...

Author: By Catherine A Morris, CONTRIBUTING WRITER | Title: 'Party' Provokes Emotion | 4/2/2009 | See Source »

Oldfield said that students need to be more “in the know” about University finances. He stressed that Harvard’s non-profit status—and tax breaks—result from the large number of jobs the University provides for the community...

Author: By Laura G. Mirviss, CRIMSON STAFF WRITER | Title: Students Protest Layoffs at HMS | 4/2/2009 | See Source »

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