Word: resurrecting
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Dates: during 1960-1969
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Roosevelt, on the strength of that formidable name and familiar grin, is striving to resurrect a once promising political career. After three terms in Congress, he lost a bid for the gubernatorial nomination in 1954, settled for the attorney general's candidacy, and went down to defeat while the rest of the Democratic ticket was elected. He fell into relative obscurity in Washington, first as an automobile dealer, then as Under Secretary of Commerce, and finally as chairman of the Equal Employment Opportunity Commission, from which he resigned last week...
...next article on the Presiden't plan, Harris L. Hartz tries to resurrect the four-year term. He proposes that "Congressional districts should be doubled in size by joining adjacent districts in the same state. Each district should then have two representatives one elected with the President, one in a off-year election." Hartz answers a number of criticisms of his plan with a welter of detail and statistical data. Indeed, his plan seems almost convincing except for one point: could party machinery handle the switch to the new plan? But intra-party haggling over such a plan...
...most part, Munger exploits them well. Most importantly, he keeps the show moving along at a brisk pace, crashing through gags that don't work until it comes to some that do. The plot is simple enough: Dionysus (Paul Cooper) want to resurrect a great poet to help Athens through a crisis. Accompanied by Xanthias, his slave (Walt Licht), he descends to Hades and presides over a debate between Aeschylus (John Allman) and Euripides (Tom Popovich). Aeschylus triumphs and returns to life, presumably to cure the city of its ills...
...William V. Hogan (D-Everett), a former state commander of the American Legion, led the debate against Harrington's attempt to resurrect the bill. Last night he said, "I see nothing with the oath. We take it in government. What's wrong with a teacher, entrusted with youth, taking...
Trouble was, Verdi too often neglected the cause of integrating music and drama. Of his first 14 operas, only Nabucco and Macbeth displayed any real staying power; the rest moldered in obscurity. Now, in opera's relentless campaign to resurrect the least-known works of the best-known composers, some of Verdi's early operas are being given a fresh hearing-with unpredictable results. Gianna d'Arco (1845), performed this month by Manhattan's American Opera Society, was a thundering flop. But Attila (1846), as staged last week by the enterprising opera company of Graz, Austria...