Word: retardants
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...that make the first act of The Grudge, Hollywood’s latest attempt at remaking a foreign blockbuster, extremely enjoyable. Yet tension gives way to torpor as the first act crawls to a close: the slow reserved pace that initially generates bloodcurdling moments soon begins to retard the motion of the film. Even the supposed surprise ending becomes an “Oh, okay” moment instead of a “Wow, no way, that’s his father?” one. The movie, then, becomes a woeful drudge of cinematic excess: it?...
...that make the first act of The Grudge, Hollywood’s latest attempt at remaking a foreign blockbuster, extremely enjoyable. Yet tension gives way to torpor as the first act crawls to a close: the slow reserved pace that initially generates bloodcurdling moments soon begins to retard the motion of the film. Even the supposed surprise ending becomes an “Oh, okay” moment instead of a “Wow, no way, that’s his father?” one. The movie, then, becomes a woeful drudge of cinematic excess: it?...
...that make the first act of The Grudge, Hollywood’s latest attempt at remaking a foreign blockbuster, extremely enjoyable. Yet tension gives way to torpor as the first act crawls to a close: the slow reserved pace that initially generates bloodcurdling moments soon begins to retard the motion of the film. Even the supposed surprise ending becomes an “Oh, okay” moment instead of a “Wow, no way, that’s his father?” one. The movie, then, becomes a woeful drudge of cinematic excess: it?...
...that make the first act of The Grudge, Hollywood’s latest attempt at remaking a foreign blockbuster, extremely enjoyable. Yet tension gives way to torpor as the first act crawls to a close: the slow reserved pace that initially generates bloodcurdling moments soon begins to retard the motion of the film. Even the supposed surprise ending becomes an “Oh, okay” moment instead of a “Wow, no way, that’s his father?” one. The movie, then, becomes a woeful drudge of cinematic excess: it?...
...that make the first act of The Grudge, Hollywood’s latest attempt at remaking a foreign blockbuster, extremely enjoyable. Yet tension gives way to torpor as the first act crawls to a close: the slow reserved pace that initially generates blood-curdling moments soon begins to retard the motion of the film. Even the highly anticipated surprise ending becomes an “Oh, okay” moment instead of a “Wow, no way, that’s his father?” one. The movie, then, becomes a woeful drudge of cinematic excess: it?...