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...group’s eponymous debut was—and it was quite good, a stunning bricolage of everything danceable from the past three decades—it wasn’t adequate preparation for the band’s newfound nuance, or their emotional breadth. In retrospect, it’s easier to see LCD’s first release for what it was: a little lazy and a bit too cute. The double-album format was an excuse to reissue Murphy’s DFA singles on the second disc, and the first frontloaded the fun, partying...

Author: By Jake G. Cohen, CRIMSON STAFF WRITER | Title: LCD Soundsystem | 4/6/2007 | See Source »

...seem logical, in retrospect, that a combination of awe and rebellion made Einstein exceptional as a scientist. But what is less well known is that those two traits also combined to shape his spiritual journey and determine the nature of his faith. The rebellion part comes in at the beginning of his life: he rejected at first his parents' secularism and later the concepts of religious ritual and of a personal God who intercedes in the daily workings of the world. But the awe part comes in his 50s when he settled into a deism based on what he called...

Author: /time Magazine | Title: Einstein & Faith | 4/5/2007 | See Source »

...this indulgent, self-laudatory narrative is mistaken. Likewise, modish militant atheism (Richard Dawkins and the like) misses the mark; shrill, self-righteous atheism may be sexy—oh so radical, sure to infuriate the parents—but it’s like kicking a dying horse. In retrospect, talk of a new 20th-century great awakening will be seen as the last gasp of a bygone era, as the Americans catch up with the godforsaken Europeans...

Author: By Piotr C. Brzezinski | Title: A Post-Christian America | 3/16/2007 | See Source »

...proud of that role. I'm proud of everything that happened after 9/11. The country was in a traumatized state and retrospect clears a lot of things...

Author: /time Magazine | Title: Q&A with Bill Maher | 2/27/2007 | See Source »

...edge like musical version of nails against a chalkboard. But without Dench, none of it would stick. Dench plays Barbara Covett, who fills notebook after notebook with the unfiltered impressions of her keen and bitter psyche, and with all the charm of a steel fire door. In retrospect, this behavior hints at something much deeper than bitterness, but Patrick Marber’s (“Closer”) screenplay holds onto every detail until the moment of greatest effect. Thus, by the end, we are disturbed to find ourselves so well inside the mind of a borderline sociopath like...

Author: By Jillian J. Goodman, CRIMSON STAFF WRITER | Title: A Gold Star for Dame Judi's 'Notes' | 2/15/2007 | See Source »

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