Word: revelant
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Dates: during 1970-1979
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...Without Marx or Jesus, Revel...
Only one example of Director George Hamlin's all-inclusive application of energy and finesse is the night-time revel following Othello's arrival at Cyprus. A party of drunken soldiers and whores idle and sprawl with calculated precision to Iago's song-leading, and when Roderigo pursues an intoxicated Cassio (Michael Gurdy) onstage for some extravagant swordplay, the scene bursts into a Shakespearean streetfight. Hamlin's careful blocking makes every drunken soldier's drunken move part of one grand theatrical effect--and everything meshes neatly behind Cassio's supremely pathetic disclaimers of intoxication. Half the tension of the scene...
...Without Marx or Jesus, Revel...
...Without Marx or Jesus, Revel...
...Without Marx or Jesus, Revel...