Word: revelators
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...England's major cinema company to get out a genuine U. S.-type musical comedy without infringing upon strict British cinema-quota laws. For industry and ambition, the effort deserves top marks. The producers not only imported Hollywood Scenarist Dwight Taylor, U. S. Songwriters Mack Gordon & Harry Revel and Manhattan Actress Whitney Bourne, they even used a back stage plot about a cabaret entertainer who becomes a radio singer while her partner (Louis Borell) goes to Hollywood, laid the scene in Paris, dressed the star as much as possible like Eleanor Powell...
Gordon and Revel songs, amiable dialog by a trio of ace screen writers, adroit direction by William Seiter and effortless acting by a sophisticated cast give Stowaway a quality recent Temple pictures have lacked, of simple, unself-conscious charm. Good shot: Randall and valet, having failed to sing Shirley Temple to sleep, nodding when she croons Good Night, My Love...
Cammann Newberry and Arnett MacKennan, Gordon and Revel of Harvard's song-writing world, are quite pleased at being asked to join the famous ASCAP. As full fledged professionals (Mills Music, Inc. bought five of their Hasty Pudding songs) they can now join the society headed by such shining lights as Jerome Kern, Berlin, Gershwin, Walter Donaldson and others. Quite an honor, too, as well as being profitable. If the boys keep at it and keep turning out hits the way they've been doing they'll be drawing down big money soon. . . . Paging Brooks Bowman...
Winthrop House will revel in melodrama tonight as it watches "Lady Audley's Secret," or the "Distraught Villainness," played by a group of its own inhabitants...
...pianist in the First Little Show (1929), wrote Moanin' Low for Libby Holman. For Paramount Rainger and his lyricist Leo Robin wrote June in January, Love in Bloom and the songs Gladys Swarthout sang in Rose of the Rancho. When Paramount wants swing music, Mack Gordon and Harry Revel are set to work. Clowning at parties pleases them more. With little urging Gordon will hoist his 317 Ib. up onto a piano, coyly croon I Feel Like a Feather in the Breeze, the hit from Collegiate, for which Gordon and Revel wrote the score...