Word: revelators
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Most of us were refreshed when the naive American movie myths were gradually revised in the '60's. In Sam Peckinpah's and Arthur Penn's films all social forces were culpable; villains sometimes wore badges and good men could revel in crime. But the mass imitators have not borrowed anything from these men except a violent surface, and have based the content of their films on empty hybrid genres like the spaghetti western. Our movie screens are now replete with dizzying, blood-soaked chaos, apocalyptic visions produced on an assembly-line...
...farm. The watering spots marked with white flags are almost always the social centers in these rugged mountainside communities. In fact, one can almost go so far as to say that chicha is the lubricant of the nation, loosening Bolivian mouths and minds into an animated, sometimes raucous revel...
...menacing form depicted in this dramatic photograph is not some giant glob of man-eating protoplasm from a science-fiction film. It is actually a hamster's kidney cell magnified 15,000 times by a scanning electron microscope. Such scientific snapshots taken by Caltech Biologist Jean-Paul Revel may offer an important clue to a mystery that has long puzzled scientists: how a living cell moves across a surface. The cell's perambulations, Revel says, are apparently made possible by a strange phenomenon called "ruffling...
According to Revel's interpretation of the photos, the cell sprouts thin, veil-like folds along its forward edge-that is, in the direction of movement. These folds or ruffles grow upward, extend out like an arm and then drop to the surface, adhering firmly to it. Once the forward edge is anchored, the cell flows into and over the ruffles, almost as if it were pulling itself along. As the body of the cell moves over the folds, other ruffles grow along the cell's new leading edge, and in turn attach themselves to the surface. Thus...
...this set. Kubelik's surging way with the music catches its color and drama and seems to belie the uneven moments in some of the early symphonies. The Berlin Philharmonic, reduced so often to a static silkiness by its regular leader, Herbert von Karajan, here seems positively to revel in Kubelik's ruddy approach...