Word: revelators
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...slick, boxy, formula buildings that proliferate in every city like frozen dinners in a supermarket. The architect's imagination is now captured by bold, brutal structures of raw concrete; or intricate multilevel structures, designed with the help of a computer; or "pop" buildings that seem to revel in the chaotic interplay of roof lines, angles, windows, colors. Yet all the architects who rebel against Gropius' cool, functional logic paradoxically owe to him their method and ethic. He laid, in the hard soil of reason, the strong and deep foundations for them to build...
ROSENCRANTZ AND GUILDENSTERN ARE DEAD. Tom Stoppard borrows the Mutt and Jeff of the Globe entourage, keeps them in the Shakespearean situation, but endows them with 20th century complexes and complaints. John Wood and Brian Murray revel in the sometimes melancholic, ofttimes witty dialogue...
...upper ranks of an increasingly centralized management, corporate life did not have quite the kick he found when he was running the Ford division more or less singlehanded. Something of a Medici of management, Frey reads Russian and French as well as Ward's Automotive Reports, used to revel in running all phases of sales, down to seeing that such personal notions as stereo-tape systems and two-way station wagon doors were included among the "better ideas"-as the slogan calls them-in his cars...
This musical is a cross between a Dionysian revel and an old-fashioned revival meeting. The religion that Hair preaches, and often screeches, is flower power, pot and protest. Its music is pop-rock, and its dialogue is mostly graffiti. Hair is lavish in dispraise of all things American, except presumably liberty. The play itself borders on license by presenting a scene in which half a dozen members of the cast, male and female, face the audience in the nude. This tableau is such a dimly lit still life that it will leave most playgoers open-mouthed with yawns...
...reduced to the level of working as a cleaning woman in a Nazi-run brothel. He first blunders into the girls' shower room-giving Brynych an excuse for a breathtaking study of the splash and spray of water on naked female forms. Later, the camera encounters a nightmare revel of swinish soldiers among whom the girls are herded like cattle before being returned to their stalls. In a corner, Braun comes upon the body, ignored by all the revelers, of a girl who has killed herself...