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...result of economic changes, the working class all over the West has been shrinking since the 1960s," says Oxford University lecturer Vernon ) Bogdanor. "The old icons, the old ideology are outmoded." That leads some observers to pronounce the movement dead. "It's finished," says French social philosopher Jean-Francois Revel. "It was a great intellectual adventure that turned out to be a historical parenthesis...

Author: /time Magazine | Title: Burnt Out | 4/12/1993 | See Source »

...here we know how to let our hair down and be funny every once in a while, to revel in a glistening pool of purple Jell O. --Melissa...

Author: NO WRITER ATTRIBUTED | Title: Fine House | 3/13/1993 | See Source »

...cast and crew are entirely equal to the challenge of such an over-indulgent tale. They revel in the play. Modern productions of hardcore Elizabethan shlock tend to degenerate into a protracted joke at the expense of the crude plot. But Skin and Bone avoids this temptation. Rather than 100 minutes of dreary self-parody, the production flings itself into the play with gay abandon. Of course it still appears garish, over-the-top, even absurd; but it is not cast as simply worthless. The distinction may seem subtle, but it makes the difference between a snide exercise in self...

Author: By Edward P. Mcbride, CONTRIBUTING WRITER | Title: Slap Me Some Skin and Bone | 1/15/1993 | See Source »

...poor maiden to eternal shame. Don Pedro's brother, Don John (Ian Lithgow), on the other hand, is interpreted as a buffoon. He is a Peter Ustinov-style villain, bumbling and ineffectual. The comic actors take the Shakespearean "rude mechanical" to the limit. Dogberry and Verges (Tom Giordano) revel in the slapstick. So, too, do Borachio and Conrade--at times at the expense of the darker, more thoughtful side of the play...

Author: By Edward P. Mcbride, CONTRIBUTING WRITER | Title: Southern Discomfort | 12/10/1992 | See Source »

...tell the truth, they seem to revel in the uncertainty. In the 19th century, Nikolai Gogol depicted Russia in his novel Dead Souls as a wildly careering troika rushing into the unknown. Now, after seven decades of forced efforts to mold the Russian mind to fit rigid communist orthodoxy, people have taken to the road again with such an exhilarating clatter of hooves that it sometimes seems as if the destination means nothing, movement is everything...

Author: /time Magazine | Title: Culture: A Mind of Their Own | 12/7/1992 | See Source »

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