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...business of government is business, or something, but certainly not gala parties and three-hour lunches? Nonsense we say. The dreary old Capitol building has nothing over the cute little bistro on M Street. If you find it just slightly barbaric that hundreds of newspaper readers every day revel in the personal and professional ups and downs of those in the proverbial public spotlight, well, you can always preface the names you drop from reading the Ear with a heartfelt. "I never read gossip columns, but..." But, maybe we don't have to be Serious all the time...

Author: By Amy B. Mclntosh, | Title: All Eyes and Ears | 12/11/1978 | See Source »

During a pitching, drunken revel aboard Pompey's ship, an infantry officer watches the rulers of the ancient world reeling around the deck and yearns that the earth were "on wheels." That is very nearly what Director Peter Brook has achieved in his whirling, boisterous version of Shakespeare's long, intractable tragedy, which opened last week in Stratford-upon-Avon. The play is not very often produced: exclusive of intermission, it runs 3% hours and with 42 scenes is as sprawling as a map of the Roman Empire...

Author: /time Magazine | Title: Theater: Putting the Earth on Wheels | 10/23/1978 | See Source »

...French were immediately convinced that Marchais's ingratiating turnabout on dissent within the party was a permanent change. Observed Jean-François Revel, perennial critic of the Communists: "Each time that the party steps on the democratic accelerator, it then pushes yet more vigorously on the brake." That helps explain why the Communists are stalled in France's political traffic...

Author: /time Magazine | Title: FRANCE: Pique-nic | 9/25/1978 | See Source »

...pharaonic throne." Preferring to deal in broad strokes and principles, Sadat quickly tires of the legalistic details that are often essential to translate a belief into a program. The Israeli Premier is no less visionary, but he is also a product of the Talmudic tradition. He almost seems to revel in analytical disputations about minutiae...

Author: /time Magazine | Title: Meeting At Camp David | 9/11/1978 | See Source »

...head with a tombstone. How come? Because he gives her what she wants. The end. Random calamities may be the order of the day in real life, but that is precisely why truth is stranger than fiction. Art demands more. Hannah provides it often enough. He does not revel in the macabre: he uses it to create sudden emptiness, black holes that demand contemplation. Why, while a housewife is napping and dreaming of sex, does the husband come home and fall into the cellar? Even at their worst, such things are pitched slightly comic and askew. Hannah's voice...

Author: /time Magazine | Title: Books: Tall Tales | 5/15/1978 | See Source »

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