Word: revellings
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...Things are exciting onscreen too ?though in these three-hour extravaganzas there's not much violence, no nudity, hardly even any kissing. Forced to sublimate, Bollywood taught itself to revel in full-blooded, full-throated drama. "The formula is essentially a family epic," says Mehta. "A family that breaks apart and then comes together. It's also the story of Partition." The partition of India and Pakistan, that is?but with vagrant, fragrant hope of union within diversity. A father denounces, then tearfully embraces his son (Kabhi Khushi Kabhie Gham). A group of 19th century peasants battle their Brit overlords...
Sacagawea is our mother. She is the first gene pair of the American DNA. In the beginning, she was the word, and the word was possibility. I revel in the wondrous possibilities of Sacagawea. It is good to be joyous in the presence of her spirit, because I hope she had moments of joy in what must have been a grueling life. This much is true: Sacagawea died of some mysterious illness when she was only in her 20s. Most illnesses were mysterious in the 19th century, but I suspect that Sacagawea's indigenous immune system was defenseless against...
This symbolism-rich world echoes of numerous historical and literary allusions, and itself is almost reminiscent of the South American magic realism style of prose. We revel in these whimsical fantasies, and it is almost disappointing that the City of Salt and its characters are merely the figments of Kahn and Selesnick’s minds. Yet the pictures are true enough that their melody might seduce us into believing such a prank—and never again know what is fact and what is fiction, what is logic and what is lunacy...
Like most filmgoers, I'd rather not see African-American actors play only plaster saints. Yet if Hollywood responds to Berry's and Washington's victories by serving up more leading roles for African-American actors that revel in the negative, then the result could be more distorting and destructive than if African-American actors were not recognized at all. We need to see cops and criminals, clowns and villains. We also need to see black actors in romances and sci-fi flicks, fantasy films and musicals--and we need to see such films promoted and, if worthy, honored...
...Caprice,” choreographed by Adrienne M. Minster ’04, was a bouncy, ballet-infused jazz piece set to a medley of swing music. The simpler choreography allowed the dancers to revel in the high energy of the piece, at times merely exuberant while at others sexy. “Caprice” was not as clean as it could have been, especially in contrast to the other pieces in the show, but even this small defect did not detract from the value of the number. The light, sometimes almost mischievous tone made the piece highly entertaining...